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Eastenders and Statism

I’d just like to say how impressed I was by the insightful piece on soap opera television by Patrick Sullivan the other day. It kind of chimes with an observation I made about the profoundly anti-business culture on television drama several months ago on Samizdata.

For me, what is so god-awful about Eastenders, and for that matter other soaps in the UK like Emmerdale Farm, Coronation Street and so on, is that they represent human beings as essentially victims of events, not as efficatious beings. If anyone is portrayed as strong, it is either a woman who is showing her strength by having to resist the charms of a dodgy man, or a crook or thug using his ‘strength’ to overpower or trick someone else. People in business rarely get presented in a positive light. Take Coronation Street. The shopkeepers and pubowners seem fairly wholesome types, if rather pathetic, put-upon folk who clearly are bored by the grind of their jobs. Any major businessman is a crook – period.

Another theme of British soaps is betrayal. Husbands and wives cheat on each other relentlessly. Indeed, infidelity, between married couples and long-term partners, is a constant theme. And lack of trust and loyalty is shown all the time in business.

In mitigation, all I can say is that the scripwriters feel that issues like betrayal and dishonesty add lots of spice to the stories, whereas wholesome behaviour is bound to be boring. I kind of understand that, but I think nevertheless that the genre in the UK is overwhelmingly skewed in one direction. Another problem is that soaps – with the odd glorious exception – rarely contain much deliberate humour. If you do laugh at a soap star it is usually at their expense for crummy acting or a silly voice.

If you watch a British soap for any length of time, you come away with one abiding message – Life Sucks. Which is pretty much why I loathe the whole lot of ’em.

Bring back Dallas…at least they were rich!

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