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Like it says on the tin, here is a video in which Geoffrey Cox reads ‘Twas The Night Before Christmas. No political point is being made. I just thought he read it rather well. If the politics gig doesn’t work out, a more respectable career awaits him as a voiceover artist. Happy [insert festival of choice here, including but not limited to Christmas and Wednesday] to all our readers. December 25th, 2019 | 8 comments - (Comments are closed)
The Lost Chord was an immensely popular song of the late nineteenth century. It described how the singer had found, then lost, a chord played on the organ that seemed to bring infinite calm.
In like fashion did I, my friends, linger in the library of Her Majesty’s Treasury in my lunchtime many years ago, seeking to put off the moment when I would have to go back to my humble office and do some actual work. Like the fingers of the weary organist upon his instrument, thus did my skiving fingers wander idly across the spines of the publications the Treasury thought might help its minions control public expenditure*. By a chance equally slim did I find the booklet issued by the Trades Union Congress that I am going to talk about in this post. And by a fate equally tragic did I fail to take note of the title, author, year of publication or even the colour of the cover, and lost it again forever. Which is a bit of a bummer really. This post would have been a lot more convincing if you guys didn’t just have to take my word for it that the damn TUC book ever existed. Then again, it was nice to be reminded of The Lost Chord which was the favourite song of an old chap I once knew who fought in the First World War. This booklet. For anyone still reading, it was about “Technology in the Workplace” or summat. I got the impression that it had been published in the last years of Callaghan’s government. (This story takes place during Thatcher’s premiership.) It did not bring me infinite calm. It brought me a Hard Stare in the Paddington Bear sense from another patron of the library, because I was going “mwunk” and “pfuffle” from trying not to laugh. The booklet was all about how when the bosses tried to introduce new technology, workers could use the power that came from being a member of a trade union to block it. It did not go so far as recommending that all new devices such as “word processors” and “computers” should be rejected out of hand, but it made quite clear that no such new-fangled gadgets should be allowed in if it meant the number of jobs for typesetters or stenographers should go down. The power of the unionised worker to resist such impositions was, of course, greatest in our great nationalised industries. The pages of the little book were clean and perfectly squared off. I do not think anyone other than me had ever read it. Yet it seemed to come from a long-ago time or a foreign country, probably East Germany, so great were the changes that had come to Britain in those few years since it was published. Yes, Britain changed. And now it’s changing back. Jeremy Corbyn promises free broadband under Labour. Labour’s proposal seems very popular, although, hilariously, support drops steeply when the question moves from “Do you like Labour’s plan to give you free stuff?” to “Do you like Labour’s plan to nationalise BT Openreach?” – but even then a solid third of the country hear Jeremy Corbyn say, “we’ll make the very fastest full-fibre broadband free to everybody, in every home in our country”, and also hear that the Labour manifesto is to reiterate the radical 2017 commitment to ‘sector-wide collective bargaining’ – and seriously believe that the “very fastest full-fibre broadband” is going to be brought to them by the unionised workforce of a nationalised industry. *Or as the Treasury Diary handed out free to staff members one year described it, pubic expenditure. November 16th, 2019 | 8 comments - (Comments are closed)
“I came here to die with you. Or live with you. Dying ain’t so hard for men like you and me. It’s living that’s hard when all you’ve ever cared about has been butchered or raped. Governments don’t live together–people live together. With governments, you don’t always get a fair word or a fair fight. Well, I’ve come here to give you either one or get either one from you. I came here like this so you’ll know my word of death is true, and my word of life is then true. The bear lives here, the wolf, the antelope, the Comanche. And so will we. Now we’ll only hunt what we need to live on, same as the Comanche does. And every spring, when the grass turns green, and the Comanche moves north, you can rest here in peace, butcher some of our cattle, and jerk beef for the journey. The sign of the Comanche, that will be on our lodge. That’s my word of life.” Josey Wales, played by Clint Eastwood in the movie, The Outlaw Josey Wales. Context: the film is based in the aftermath of the Civil War, and Wales is on the run and took refuge in Indian territory. I rather like the libertarian sentiments in part of this quote (such as his line about governments), and Clint Eastwood, by the way, has always struck me as one of the more intelligent men to have worked in Hollywood. His movies are famously delivered on time, and on budget. The Outlaw Josey Wales is, in my view, his best Western. Terrific supporting performance from Chief Dan George. November 1st, 2019 | 17 comments - (Comments are closed)
Here. In case the video at the other end of that link disappears, what we see is a guy on a railway platform bringing a train to a halt, with great effort. And then he gets it going again, with even more effort. (Except that the train was doing all of this anyway, under its own steam.) October 22nd, 2019 | 9 comments - (Comments are closed)
I read so many scathing — forgive me long and thorough and scathing — reviews of this one that I figured something had to be up. And indeed there is. However unpleasant and disturbing this movie may be, it is excellent along all major dimensions of cinematic quality, including drama, script, characterization, performances, cinematography, color, music, and more, not to mention embedded cinematic references. But here is the catch: it is the most anti-Leftist movie I have seen, ever. It quite explicitly portrays the egalitarian instinct as a kind of barbaric violent atavism, and it is pointedly critical of Antifa and related movements, showing them as representing a literal end of civilization. Only the wealthy are genteel and urbane and proper. On crime and law and order, it is right-wing in a 1970s “Death Wish” sort of way, though anti-gun too. I really respect Tyler Cowen’s views, so I might give this a look. I suspect I am going to see this on my own because my wife probably will hate it. It’t not a date night film, if that does not sound patronising (although the missus loves thrillers). If people want to comment, please no spoilers, merci! October 8th, 2019 | 48 comments - (Comments are closed)
Yes, South Park grovels:
Some background here:
From the point of view of the Chinese government there are far too many people now paying quite close attention to them, whom they do not control. The people presiding over Communist despotisms are always touted as strategic geniuses, but I sense a change in the world. Or then again, it could just be that I attended an excellent talk about Hong Kong last night, and will be attending another talk about Hong Kong on Wednesday, at the ASI. That link may not last, so I note here that a lady called Denise Ho will be speaking. That second link is to a report in the Guardian, which it makes a nice change for us here to be agreeing with, assuming most of us do. The Chinese government is now making enemies all across the political spectrum. They will surely “win” this battle in Hong Kong, one way or another. But are they now stuck in a Cold War that they might end up losing? Could well be. As the above non-apology from these South Park guys illustrates, to say nothing of events in Hong Kong, things are not now going entirely to their script. Also, now that masks are no longer allowed in Hong Kong, how about a new hair-do? October 7th, 2019 | 23 comments - (Comments are closed)
The Guardian reports, “Sculptor Antony Gormley plans Brexit giants off the French coast”:
There is something in that image that can appeal to both sides. I think Mr Gormley might make better art than his predictable opinions might lead one to suppose:
Mind you, it will take about thirty seconds flat for some wag to call these figures standing on the coast of France as they wistfully look towards Albion “the illegal immigrants”. October 5th, 2019 | 24 comments - (Comments are closed)
The excellent Dominic Frisby is crowdfunding a music video for his National Anthem of Libertaria. He is very much out there spreading good ideas, including in such unfriendly territory as the Edinburgh Festival. I applaud his efforts.
September 17th, 2019 | 40 comments - (Comments are closed)
Some time ago a striking article by Fiona Maddocks appeared in the London Evening Standard. The link that Google gives you to the Evening Standard’s own site is dead, but I found a working one on Questia. Here it is:
(I commented at the time, “I don’t know why poor old Dubya does hold off from imprisoning all the women and depriving them of their names so that the top men’s personal concubines are called “ofdonald”, “ofjohn” and “ofdubya”, according to the system described in the book. That’s obviously what he wants, as proven by the fact that he sometimes goes to breakfast prayer meetings, and it’s not like he gets any credit for restraint.”)
[…]
[…]
“How long did they have?” asks the narrator, in an epilogue written long after the events described. Since that article was dated April 3rd 2003 and the Gileadification of America is not yet upon us we can safely answer “a minimum of 16 years, 5 months and 8 days”. But do not be deceived. Gilead is coming. Real soon now. “The Handmaid’s Tale increasingly rings true”, writes Alice Thomson in today’s Times.
[…]
Good, so you won’t mind if I say “Calm down dear” to you. September 11th, 2019 | 25 comments - (Comments are closed)
Leaping from link to link like a young gazelle – part of the appeal of the internet is that it is the only place where I get to do the gazella arabica thing nowadays – I came across an interesting article by Ernie Smith called “The Many Ways Planned Obsolescence Is Sabotaging How We Preserve Internet History”. He writes,
Like many people, I find the whole phenomenon of planned obsolescence infuriating. Unlike many people, I do not believe that my feeling of fury should be assuaged by forcing other people – in this case software companies – to do my bidding. But I would still like it if planned obsolescence were less of a thing. It’s Tom’s Diner for computers, and you are most welcome to discuss the political and ethical issues involved. But if you did enough of that yesterday, just wallow in the computer nostalgia. Here’s a website: http://textfiles.com/. Not “https://textfiles.com”, just “http://textfiles.com”. It has stuff like Alien vs Predator. Wallow. September 10th, 2019 | 16 comments - (Comments are closed)
“First ads banned for contravening UK gender stereotyping rules”, reported the Guardian some days ago.
… by limiting what they are permitted to see and making their life decisions for them. August 23rd, 2019 | 39 comments - (Comments are closed)
A father and son duo run a YouTube channel about historical tabletop wargaming called “Imperator Vespasian”. They run through demo games, talk about making and painting models and so on. Recently they were offline for about six months. They explain why in the following ten minute video: “Unexpected side affects of Gaming! Channel update” The two of them were creating a game called “A very British Civil War” set in an alternate-history 1938 in which Prime Minister Oswald Mosley was fighting to put down an anti-fascist rebellion. The British Union of Fascists was a playable faction. Here is a video they made about this game from six months ago. Then the son’s school reported him to the police as a potential terrorist. Note that the father and son both say that the police were quite quick to realise that this case was not the best use of their time, and reserve their criticism for the school. I am a little more sympathetic than are the “Imperator Vespasian” duo with the dilemma faced by schools over whether or not to bring the police in when they suspect a pupil is involved in crime as victim or perpetrator or both. The pair of them did make one unwise decision. Apparently their standard practice in their YouTube shows is to make announcements of what is happening in their games while “in character” for the various factions, with appropriate props as the backdrop. Fine when your prop is a medieval helmet, not so fine when it’s the lightning flash emblem of the BUF. But was there really no one among the school staff who had ever wargamed? Or whose kids had wargamed, or whose kids’ friends had wargamed, or who was simply enough in touch with the lives of their male pupils to know that playing the Tyranids in Warhammer 40K does not mean you seek to literally devour all life? Given the nerdiness of historical tabletop gaming, I would have guessed that gamers were just as likely to end up as teachers as in the police force. So why did the police quickly get that this was fictional while the teachers did not? August 12th, 2019 | 20 comments - (Comments are closed)
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