“William Shakespeare evaded tax and illegally stockpiled food during times of shortage so he could sell it at high prices, academics have claimed“.
|
|||||
“William Shakespeare evaded tax and illegally stockpiled food during times of shortage so he could sell it at high prices, academics have claimed“. One many significant dividing lines between, on the one hand, enthusiasts for free economies and free societies, and on the other hand those who favour a large role for the state in directing and energising society, concerns where you think art and science come from. Those looking for an excuse to expand the role of the state tend to assume that art and science come from the thoughts and actions of an educated and powerful elite, and then flow downwards, bestowing their blessings upon the worlds of technology and entertainment, and upon the world generally. Science gives rise to new technology. Art likewise leads the way in new forms of entertainment, communication, and so on. While channel surfing a while back, I heard Dr Sheldon Cooper, the presiding monster of the hit US sitcom The Big Bang Theory, describe engineering as the “dull younger brother” (or some such dismissive phrase) of physics. The BBT gang were trying to improve their fighting robot, and in the absence of the one true engineer in their group (Howard Wolowitz), Sheldon tries to seize the initiative. “Watch and learn” says Sheldon. Sheldon’s attitude concerning the relationship between science and technology is the dominant one these days, because it explains why the government must pay for science on the scale that it now does. Either governments fund science, or science will stop. Luckily governments do now fund science, so science proceeds, and technology trundles along in its wake. Hence modern industrial civilisation. If the above model of how science and art work was completely wrong, it would not be so widely believed in. There is some truth to it. Science does often give rise to new technology, especially nowadays. Some artists are indeed pioneers in more than art. But how do science and art arise in the first place? Howard Wolowitz is the only one of The Big Bang Theory gang of four who does not have a “Dr” at the front of his name. But he is the one who goes into space. He builds space toilets. He was the one who actually built the fighting robot. Dr Sheldon Cooper, though very clever about physics, is wrong about technology, and it was good to see a bunch of comedy sitcom writers acknowledging this. After “Watch and learn”, Sheldon Cooper’s next words, greeted by much studio audience mirth, are “Does anyone know how to open this toolbox?” This news item about the anatomy drawings of Leonardo da Vinci looks like a good excuse to go to Edinburgh in August:
The Edinburgh Festival is mainly about the arts, rather than sciences, although in a way this exhibition transcends both. I hear mixed things about the Festival: it is, apparently, great fun but it can be a pain getting accomodation. My wife has never been to Scotland – an omission that needs to be sorted out soon. And of course the da Vinci exhibition in this beautiful Scottish city is a reminder of the grand tradition of medicine in that part of the world.
I like two recent postings by Mick Hartley, both in connection with art exhibitions in London, Lichtenstein at the Tate, and Duchamp (and others) at the Barbican. Of Lichstenstein, Hartley says, among much else that is worth reading in full:
The Lichtenstein exhibition is a popular hit, but, Hartley reports, the Duchamp etc. show is provoking no such mass enthusiasm. In 1917, Duchamp grabbed a urinal, signed it, and stuck it in an exhibition, to the delight of art critics ever since. Says Hartley, at the end of his Duchamp posting:
Indeed. For fans of Juche (and who reading this blog wouldn’t be a fan of Juche), Michael Malice, a libertarian who is a professional ghostwriter, has a new kickstarter project: “Kim Jong Il: The Unauthorized Autobiography”, as taken almost entirely from North Korean propaganda pamphlets. “Kim Jong Il: The Unauthorized Autobiography” Kickstarter Page It is always interesting that when newspapers cover Chinese news, mentions of history’s most prolific mass murderer just get reported baldly without much comment:
– China embraces online gamers Yet somehow if a German videogame maker (let alone a government sponsored one) were to feature that also-ran mass murderer Adolf Hitler ‘greeting’ players on screen in a video game, I suspect the reportage might be… a tad different. Curious, no? Not that I intend to die, but when I do, I don’t want to go to heaven, I want to go to Claridge’s. – Spencer Tracey, quoted in the TV show Art Deco Icons, shown on BBC4 earlier this evening. One new expression I have seen in recent months – ahead of and after last November’s US elections – is “low information voters”. It got my interest because it seems to be used, in the main, by right-of-centre commentators regarding what they assume are people who vote not by carefully weighing the policies and presumed philosophies of candidates such as Mitt Romney and Barack Obama, but on trivia, such as whether a candidate looks or sounds “nice” or “nasty” or suchlike. Such voters, the argument goes, hardly watch any current affairs TV or read the serious parts of the media; they prefer game shows, talent shows, chat shows, and other dreck. And the assumption is that voters have chosen Barack Obama for largely trivial reasons. (This sort of way of explaining the issue is, needless to say, fraught with the risk that the person who makes it can end up sounding like a racist.) One way of interpreting this is to suggest that such voters are more rational than the wielders of the term “low information voters” give them credit for. The voters may have figured out that policy will not change much regardless of whom they vote for, and so rather than spending their non-work hours fretting about fiscal cliffs, impending societal collapse and the affordability of the Welfare State, they watch junk, worry about trivia and don’t bother much with things such as defence policy or debt-to-GDP ratios. The problem, though, is that even the “junk” can be saturated with statist undertones. Take the “celebrity culture” – all too often, a celeb who is held up as a figure of pity or ridicule might play the “victim” card and the narratives that infuse their lives often convey a sense of life in which people are not really responsible adults, or for that matter, youngsters who want to become adults. And so the daily diet of stuff conveyed to “low information voters” adds to the sort of culture in which support for Welfare States takes hold. (This is the sense in which obesity can be seen as a sort of Welfare State consequence, not an argument you tend to hear from the nanny-Left.) One way to combat this is to stamp your feet and complain. That seems to have limited success. Another is to try and figure out how the sort of culture that might appeal to “low information voters” can be changed in ways that encourages a rather better set of outcomes. Take the huge popularity in the ‘States of people such as Oprah Winfrey. Say what you like about her shows, but anyone wanting to connect with the public should study her success. And that surely ought to include libertarians. Hence the importance, also, of making great movies and TV shows that are fun, diverting and also positive. Yes, we can bleat about the influence of “liberal Hollywood” and its non-US equivalents, but in this day and age, with a more fractured media and entertainment world, does it really make sense to despair? Which is why, by the way, I think America suffered a grievous loss when Andrew Breitbart died last year. Because he understood this sort of issue instinctively. But America is a Protean place – and there plenty more like him, I am sure. So on that positive note, a belated Happy New Year. That Cyd! When you’ve danced with her you stay danced with. – Fred Astaire, talking about Cyd Charisse. Quoted in the TV show Darcey Bussell Dances Hollywood, shown this afternoon on BBC2. “And when the Brits initially kept their distance, Led Zeppelin grabbed America from the opening chord.” – Barack Obama. So, is it true that the people responsible for launching the careers of The Beatles, The Who, The Kinks, The Small Faces, Pink Floyd and Jimi Hendrix kept their distance from Led Zeppelin? The only test I can think of is to see how well their records performed in the charts. In this, Wikipedia is your friend. And it shows that all of Led Zeppelin’s studio albums did at least as well in the UK as in the US and that Led Zep I (the one with that opening chord) did better. Face recognition is now starting to loom large, and it won’t be long before etiquette changes in response. The internet has been instructed to email me whenever face recognition gets a big mention, and the emails ever since I said to do this have flowed to me in a steady trickle. Face recognition will soon be a Big Issue, and for many it already is. To photo anyone in public will soon be universally understood as like a potential public announcement of exactly where they were, exactly when. I presume that celebrities of ever decreasing celebrity are already hunted down with such software. Now regular people are starting to track each other. Soon, this possibility will be routine. Governments will want to make it illegal for anyone except themselves to behave like this, but I can’t see how they will be able make this stick. I wonder where my husband was last weekend. I know where he said he was, but … let’s run the programme, and see if anything shows up. Was he in London with that tramp with the pink hat, I wonder? That young speaker I heard yesterday for the first time seemed like quite a dangerously clever chap, with a potential big future that I disapprove of. So, www, show me every picture you have, and I don’t just mean the ones with his name attached. What does he do with himself? How does he relax? How does he unwind? Give me some dirt. That kind of thing. As the memory of the internet grows, people will be living more and more of their lives in a state of perpetual surveillance, of everyone, by everyone. At present, your name needs to be spelt out and attached to such revelations for them to be revelations. But that is fast changing. Soon, your face will be enough. When I say “soon”, I don’t really know when all this is going to happen, and be seen to have happened. This may already be happening, or it may only really get talked about a decade hence. But happen it surely will. Whereas I only arrange to be informed when the words “face recognition” appear in an internet news story, it is surely only a matter of time before we can all of us say “show me any picture that looks like this person”. → Continue reading: What happens when face recognition becomes the new reality German asparagus in season. Heaven. – Michael Portillo samples the cuisine of Germany in his latest European Railway Journey. I am greatly enjoying this show, and am recording it. I am finding it to be a wonderfully relaxing and entertaining way to soak up a mass of historic trivia, such as (this week – just as one for-instance) how Eau de Cologne got started. I also learned about that upside down railway that I have seen so many pictures of but have never pinned down to a particular place. And not so trivia, because Portillo is focussing particularly on the period just before World War 1. Europe’s last golden age, in other words. Railways were not just for tourists, they were for This week, Portillo was wearing a rather spectacular pink jacket, of a sort that he would never have risked when being a politician. |
|||||
![]()
All content on this website (including text, photographs, audio files, and any other original works), unless otherwise noted, is licensed under a Creative Commons License. |