We are developing the social individualist meta-context for the future. From the very serious to the extremely frivolous... lets see what is on the mind of the Samizdata people.
Samizdata, derived from Samizdat /n. - a system of clandestine publication of banned literature in the USSR [Russ.,= self-publishing house]
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It seems that you can make a very popular movie (apparently it was described in the New York Times as his best so far – could well be) without it being popular everywhere:
When singer Linda Ronstadt praised Michael Moore’s anti-war movie Fahrenheit 9/11 during a concert at the Aladdin hotel in Las Vegas, the audience walked out.
What’s more, hotel president Bill Timmins was in the audience and took action himself.
Says a spokeswoman: ‘Her suite was cleaned out, her things were collected and security escorted her. She wasn’t happy, but we were very polite.’
She might have been wiser to say a few nice things about Spiderman 2, which has been described by Mark Steyn as:
… the spinning, squirting, swinging antidote to the stunted paranoia of Fahrenheit 9/11 …
Showbusiness. You can please all of the people some of the time, and you can please some of the people all of the time, but …
Yes. The day approaches. Tech work all across planet Earth will grind to a halt. Programmers will twitch in their sleep (if they sleep at all). Network centers will groan under the load and there will be no answers from helpdesks. All this and more will happen in a mere fifteen days. A bit more than two weeks… DOOM 3 hits the stores on August 3rd!
Linux and OSX versions are to follow soon thereafter.
Used with the kind permission of Idsoftware
Addendum: Buying Doom3 makes money for Idsoftware. One of the Idsoftware founders is John Carmack. John Carmack founded Armadillo Aerospace, perhaps the number two contender for the X-Prize behind Scaled Composites. So… buy Doom3 and support your capitalist future in Space!
I could not possibly let the day pass by without reference to the death of Marlon Brando.
As far as I am concerned, there are actors, good actors and then there are stars. Brando was a star. But of all the roles he played, I will remember him best for his potrayal of mafia boss, Vito Corleone, in the Godfather. Not only did his enormous screen presence seer itself into every frame, but he took this character and turned it into a genuine cultural icon.
R.I.P Marlon Brando.
Rob Fisher has discovered a foolproof plan for getting invited to our famed Blogger Bashes…
…advertising Samizdata.net at the Glastonbury festival 
Michael Moore bans Michael Moore?
It seems the new stupid campaign finance regulations in the USA (the result of Michael Moore’s years of vomit among others) are about to be used to restrict distribution of Moore’s latest wind-up.
Because the law attempts to prohibit all sorts of ‘in kind’ donations to the Republicans [I meant political parties], making a movie that plugs one candidate at the expense of another in election year could be ruled “interference” by the Federal Electoral Commission. I wonder how Michael Moore feels being felt sorry for by the US Libertarian Party.
Of course it is a shocking abuse of the US constitution. (sigh) How sad!
You may have wanted to know the REAL reason that ‘Friends’ has been taken off the airwaves. The ‘official’ reason is that the show’s makers wanted to quit before the show became too stale.
The truth is rather more sinister.
In Lyle, the California Court of Appeal held that creative discussions in which writers of the popular sitcom Friends developed ideas and created scripts could constitute sexual harassment of individuals listening to the sometimes bawdy banter of the writers.
So now we know.
[Thanks to Virginia Postrel for the link.]
It’s a tough job but somebody has to do it.
I have been doing my bit for the War against woman-hating, religious bigotry by checking out the Miss Universe finalists. Personally I think the registered Republican Miss USA looked much better than Miss Australia, the eventual winner.
Useful sociological experiment: check out Miss Sweden and try to focus on horrible tax rates in that country. So if Sweden had the burqah, perhaps they would have lower taxes. Tough call.
The summer movie season in the US used to start on the Memorial Day holiday, and the box office statistics used by the major studios until recently reflected this fact. However, ever since Twister was a big hit when released two weeks before Memorial Day in 1996, the studios have started rolling out their big summer movies starting from two weeks before Memorial Day. A couple of years ago, the box office statistics compiled by AC Nielsen EDI were adjusted to reflect this fact.
However, this year the first big summer movie was released three weeks before Memorial Day. (This may be a one off thing. Memorial Day is late in the month this year. Or perhaps the summer movie season is now always going to start three weeks before EDI tweaked the definition of summer again to take this into account. Perhaps in a few years “summer” will be statistically redefined to start in February). That first move was Universal’s Van Helsing. That was now three weeks ago, and we can start to see the first few indications of what the summer would be like.
The story of last summer has been told. Hollywood released lots of sequels, lots of high concept movies based on comic books, old television series, video games and theme parks. With one or two exceptions grosses were down from the summer before. There was lots of speculation as to whether the advent of DVDs meant that people were less likely to go and see movies in the cinema, or whether it just meant the year’s movies weren’t very good. Certainly, though, people were and are watching lots of movies on DVDs, and Hollywood was making unexpectedly immense amounts of money due to this, which sort of made up for the decline in box office revenues. (Of course, when the DVD format was introduced in the first place a few years back, a number of Hollywood studios waited a couple of years before releasing any movies on the new format. Studio people were frightened that the high quality digital nature of the new format meant that releasing films this way would make them more vulnerable to piracy, and they could not see any upside, as obviously all that would happen is that people would rent movies on DVD the way they had on VHS until then, and giving people a high quality digital experience at home would not cause them to rent or buy more movies. Obviously. Hollywood always runs away from new technology like this, and has an amazing inability to see upside in it. But the upside almost always seems to come).
Hollywood went into last summer believing that sequels were going to gross substantially more money than did the original films they were sequels to, but it didn’t happen and they get their noses bloodied a little. It takes two years for the lessons of a bad summer to sink in to Hollywood, but none the less this summer has fewer sequels and the like scheduled than last summer did. The lesson they should probably have learned is that sequels to good films can gross more than sequels to bad films, but the trouble with Hollywood being run by corporate types rather than people who genuinely love movies is that they are sometimes slow to see things like that.
One other thing that has been happening this year is what is often called “day and date” international programming. Traditionally, films were released in the US first, and would be rolled out throughout the rest of the world over a period of months. This is now happening less and less for big movies. Films are being released on the same weekend in most major markets. There are two reasons for this. The first is that Hollywood as always is afraid of piracy. Certainly they are losing some money to pirates. Once upon a time I was frequently offered illicit CD and VCDs and VHS tapes when walking down the streets of Asian cities, but if I wanted them in developed countries they would be harder to find. These days I cannot walk down Oxford Street in London without encountering someone selling illicit DVDs of movies current in the US that have probably not been released in the UK yet. Releasing movies in large swathes of Europe and Asia on the same weekend as in the US certainly reduces the window in which this activity is profitable, and this is the main reason given for the fact that there are now simultaneous worldwide releases.
But in reality this is more of a symptom than the cause. → Continue reading: The Summer Movie Season gets going
This is tragic. Truly tragic. In fact I am extremely surprised that David Carr has not had a chortle about it at least six hours ago:
Today a painful task will begin in Leyton, east London: picking through the remains of a devastating fire which destroyed a huge warehouse containing priceless works of art.
Many of the lost works are from the collection of Charles Saatchi. It is thought that they may include Jake and Dinos Chapman’s Hell.
Tracey Emin’s famous Everyone I Have Ever Slept With may be another: the tent appliquéd with the names of her past lovers was the star of the famous Royal Academy Sensation! exhibition and to many became emblematic of the endeavours of a generation of young British artists. “I don’t know what specific pieces have been lost,” Mr Saatchi said yesterday. “So far it has been a day of many rumours.”
The warehouse belonged to Momart, the country’s leading art handlers, who undertake storage and transport for the Tate, the National Gallery and Buckingham Palace, as well as Damien Hirst and Rachel Whiteread.
The confusion about which pieces have succumbed stems partly from Momart’s uncertainty about what was stored in the building, Mr Saatchi said. Work by Sarah Lucas, famed for substituting parts of the human body with poultry, fried eggs and vegetables in her pieces, was also feared to have been destroyed.
No no no. This was not “devastating”. This was an art happening. These people need to dispense with their outdated ways of seeing so-called “reality” and instead look at the world in a new way. This fire did not destroy, it merely moved some objects from one state of being to another … We need to think beyond “specific pieces” to the totality of life …
As for all this “uncertainty”, well, what I say is can one ever really be “certain” about anything? Surely we have learned by now not to seek an illusion of certainty in an inherently uncertain world. There is no certainty. There are only different ways of looking at things. We need to get away from the single point of view, the one fixed, bourgeois way of seeing everything, within one fixed frame … blah blah blah … etcetera etcetera etcetera … insert Carr-isms at will.
Sometimes Modern Art contrives a happening which really hits the spot and grabs the headlines. Sensational or what?
Although, I would advise Buckingham Palace to think about making other arrangements for its art transport needs.
Michael Moore must surely rank as one of the hottest properties in showbusiness. The guy only has to show up to get an award:
Michael Moore’s controversial polemic Farenheit 9/11 became the first documentary for nearly 50 years to win the Palme d’Or at the Cannes film festival last night.
The film, which contains scathing attacks on the business dealings of President George Bush as well as the first footage of American soldiers torturing prisoners in Iraq, beat off competition from more famous directors, including Wong Kar-Wai, Emir Kusturica and the Coen brothers to scoop top prize.
Moore, who was given a standing ovation by the Cannes crowd, told them: ‘I’m completely overwhelmed by this. Merci.’
So they chose a wanker over a Wong Kar but it is pointless to pretend that there was ever going to be any other outcome. And giving him yet another gold-plated bit of object d’art to place on his buckling mantlepiece is one thing but a standing ovation??!!
In truth this was not merely a nod of recognition but an act of worship by a gathering of the faithful. Nor is this starry-eyed circus any longer about the merits (or otherwise) of any particular manifestation of Moorish propoganda for the detail is irrelevant. It is the ‘vibe’ that counts.
No, this is not about the films or books of Michael Moore, it is about Michael Moore himself and what the luvvies believe he represents. He is the icon and the muse of anti-everything who tells them what they want to hear and dresses it up as revealed truth. His flock gathers at ceremonies to offer up their tributes and commune with him while he bestows his benedictions upon them.
He is St. Michael of Moore. Peace be upon him and may flowers bloom where he treads.
Our “Quote of the day” below, links to an information page about a new film called ‘Slap her… she’s French’.
I was sufficiently intrigued by the title to inquire further and, judging from the serious reviewer, it would appear to be nothing more than a run-of-the-mill, formulaic teen comedy which I shall most likely never see.
But, for some people, it is something far more sinister. Beneath the professional review is a comments box where members of the public (and the clinically insane) can leave their own reviews and where I stumbled upon this hilariously deranged rant:
Hollywood has always been very good at serving Republican propaganda. In the 80’s we had brainless flicks such as Rambo 2, Rocky 4 and Top Gun, just to name a few of them.
Since Bush Junior took the presidency in a quite dictatorial manner, his team and him have separated America from the rest of the world at a point never reached before.
From late 2000 till 9/11, they started spreading hateful propaganda against Russia (trying to wake up ghosts of the cold war?) and racist propaganda against Chinese people, calling US citizens not to treat them as full American citizens. Mr. Bush was desperately looking for an ENEMY. Their ARROGANCE and VIOLANCE is matched only by the one of the Islamist terrorists.
On September 11, 2001, he and his team were served the best pretext they could have ever dreamed of, by people as crazy as them. Instead of analyzing the situation in a pro-active way and fighting terrorism cleverly in order to eradicate it, the reacted like dumb, immature, arrogant teenagers and preferred bombing innocent civilians.
The order given to Hollywood was to use the nations preferring peace than war as villains in their industrial products they deliver to the rest of the planet they so ARROGANTLY SCORNED. Part of this was the `French Bashing’ of which we have excellent examples in NO-BRAINERS such as “Slap Her She’s French” (no comment), `Master&Commander’ (In the book, the villains are British. France saved America from the British invasion in late 18th century; remember La Fayette), `Johnny English’ (ha, ha, ha, a French King trying to take over the British Queen), `Matrix Reloaded’, `SWAT’, `Along came Polly’, etc.
Let’s hope that when Mr. J.F. Kerry has been democratically elected in 2004, this virulent arrogance should come to an end, and America is part of the world again.
But, apart from that, how was the film?
Something rather remarkable has just happened. I am watching Baddiel and Skinner Unplanned, and they have just had a serious discussion about how they really did not like the fact that the Government can tell exactly which internet sites you have just been visiting, and read all your emails, and send you to prison if you encrypt them and do not tell them the key, or whatever it is. Baddiel and Skinner never have serious discussions.
A bloke in a beard (of the trimmed sort rather than ZZ Top style) asked a question about this, and instead of him being laughed out of the studio, they found themselves discussing it quite seriously. Bearded bloke was allowed to add a further comment (about the emails). Baddiel in particular seemed quite upset.
Interesting.
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Who Are We? The Samizdata people are a bunch of sinister and heavily armed globalist illuminati who seek to infect the entire world with the values of personal liberty and several property. Amongst our many crimes is a sense of humour and the intermittent use of British spelling.
We are also a varied group made up of social individualists, classical liberals, whigs, libertarians, extropians, futurists, ‘Porcupines’, Karl Popper fetishists, recovering neo-conservatives, crazed Ayn Rand worshipers, over-caffeinated Virginia Postrel devotees, witty Frédéric Bastiat wannabes, cypherpunks, minarchists, kritarchists and wild-eyed anarcho-capitalists from Britain, North America, Australia and Europe.
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