We are developing the social individualist meta-context for the future. From the very serious to the extremely frivolous... lets see what is on the mind of the Samizdata people.
Samizdata, derived from Samizdat /n. - a system of clandestine publication of banned literature in the USSR [Russ.,= self-publishing house]
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Times have changed, voters want the pendulum to swing back from spending towards tax cuts. Rumours are circulating in the Westminster Village that Gordon and Alastair are preparing to announce tax cuts. Which will, even if they are only rhetorical tax cuts, in a stroke make Dave and George look ridiculous as both Labour and the LibDems promise tax cuts and the Tories are left high and dry stranded on the high tax centre ground …
– Guido
I had a look at this test and think I would do reasonably okay. The only flaw in PM’s headline is that it refers to skills that men should know, but I would have thought this applies as much to women. As my wife likes to point out, she’s much smarter at changing a tyre on a car than most men we know.
“I have met several people, who when explaining the extreme youth or old age of their parents, have told me, “Of course, I was an accident.” Well, if they can admit it, why can’t we all. Our existence is not due to the preference of some fabulous Being: it is just dumb luck. Why people should feel bothered by this I don’t know. They have won the lottery of life!”
Jamie Whyte, Bad Thoughts, page 128
Before the end of this century, there will be another American Civil War.
Well, I reviewed the previous effort by Daniel Craig, so here we go with the next instalment: Quantum of Solace, with Daniel Craig in his second outing as Ian Fleming’s hero. It is the 22nd film in the series, which is quite something in itself, when you think about it. I went to see the film with pretty high expectations after what I thought was a great debut by Craig in Casino Royale.
Quantum of Solace – which has absolutely nothing to do with the short story Fleming wrote in a collection – is a sequel to the first Craig film. Having been betrayed and left heartbroken by the death of Vesper Lynd, 007 goes after the organisation that is behind the death of Lynd. We are led on a series of furious chases and action scenes in Italy, the Caribbean and Latin America. The direction of the movie is handled at an incredibly high tempo, much in the manner of the Bourne films starring Matt Damon. (Poor Matt, I haven’t been able to think of him in the same way again since watching Team America: World Police).
This is a very violent film. Craig did several of the stunts himself and got quite badly hurt in some of them. If you want lots of fight scenes, with minimal dialogue and no gags, this is for you. The problem, is that I think that Craig and his directors are trying far, far too hard to react against what they rightly regarded as s the foppish versions of Bond served up by the likes of Roger Moore or Pierce Brosnan. QoS is a still a good film but it could have been much better with a bit more variation of pace, and a bit more opportunity for Craig to show how 007 is developing as an agent and as a person.
Supporting actors are generally good, if not as strong as in Casino. I like the chap who plays Felix Leiter, who is not the character of the books but I reckon is going to be a regular feature of future Bond films. Judy Dench is wonderful as M; in fact she holds much of the film together. But the other women in the film are not very strong characters and not a patch on Green’s Vesper.
I will give this film seven marks out of a possible 10. I would give Casino Royale 9 stars. The Bond franchise has definitely been rebooted by Craig, but the film-makers must not turn Bond into a humourless brute. The character created all those years ago was a tough bastard all right, but he was a bit more than that.
Is all change good? No. Only good change is good.
– although probably more quote of yesterday from Alice Bachini-Smith
PLUS: I just noticed this
PLUS: I also like this (via here)
Short cryptic link-posts, of the sort which will make absolutely no sense as soon as the link stops working, seem to be accumulating here just now, so here’s another. Check this out. It’s Friday Ephemerus (?) number one at David Thompson‘s today.
Seriously, forgetting about the short cryptic thing, but assuming you now know what I am talking about, I think this might make a good visual metaphor for the television people as they chatter about the Glenrothes bye-election, just won by Labour. Suddenly, David Cameron must now be becoming afraid, very afraid. Is the utter cluelessness of the Conservatives about all the financial turmoil grabbing defeat for them from the jaws of victory? Are they starting to McCain themselves? Are they, the party that is confused and hesitant about doing the wrong thing, going to be beaten yet again by the party that is unconfused and brazen about it?
Politics trundles on and the more you pay attention to it the more depressed you are going to get, so what I like to do instead is look at gadgets. Gadgets aren’t everything. An affordable mobile phone is scant consolation if your ludicrously unaffordable house has just been repossessed. Flat screen televisions are only as good as the stuff that’s on them. Cool cars only provide escape from the cares of city life in car commercials, not in cities.
Nevertheless, gadgets are still being done well, and every now and again I like to pick out a new one and praise it on Samizdata, both for its own beautiful sake, and because doing this makes the point that life would be so much better if everything (not just gadgets) was done like that, by grasping capitalists in competition with one another instead of by tyrannically pompous bunglers who are clever only at winning elections or at sucking up to such people. The last such gadget that I got excited about here was the Asus Eee-PC, which I now happily possess, and am gradually finding more uses for. And now, I offer you the Panasonic Lumix DMC-G1, which is a digital camera, which looks like this:

It doesn’t look anything very special, or very different, does it? And for many people it won’t be. For all those Real Photographers squinting into their optical viewfinders to get the perfect shot with their brick-like Canon or Nikon DSLRs, the G1 would be a severe come-down, because the G1 doesn’t have an optical viewfinder. But for that vast tribe of cheaper and more cheerful digital snappers who prefer cameras that don’t weigh so much, the fact that the G1 has no optical viewfinder is exactly the point. We Billion Monkeys, as I like to call us, look at all those Real Photographers with their clunky black contraptions and we say to ourselves, yes, I’d love my pictures to be as good as theirs are, and it would certainly be nice to be able to use lots of different lenses the way they do, but really, does a camera have to be that big to be that good?
The thing is – from where we Billion Monkeys stand, sit or crouch – DSLRs look like a relic of the analog age, like those weird early steam ships that also had sails on them. DSLR stands for Digital Single Lens Reflex, and this refers to the fact – commenters will doubtless correct me to the degree to which I am, I am sure, somewhat-to-completely wrong – that in order for the optical viewfinder to be an accurate foretaste of the picture being attempted, the light that enters a DSLR has to be divided up and sent off to two different places, one of them being the optical viewfinder and the other being the magical electronic surface that turns the light into a digital picture. This process involves … well, it involves a lot of space and a lot of complication.
So, the G1 does away with the the optical viewfinder. You can still squint through an eyepiece if you really want to, but what you see is a digital picture, not a merely optical one. More conveniently, you can see the digital picture beforehand on a small screen, which, as with the best little digital cameras, twiddles, and hence lets you take pictures that you can still see even when you are holding the camera way above your head or way down in front of your private parts. Most DSLRs still only show you the picture on their screens afterwards, but the latest ones also have these see-the-picture-beforehand screens, but this combining of optical and digital previewing all adds to the size and the expense. What the G1 does is put all its pre-viewing and post-viewing eggs in the one digital basket.
→ Continue reading: The Panasonic Lumix DMC-G1 is a glimpse of a different and better world
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Who Are We? The Samizdata people are a bunch of sinister and heavily armed globalist illuminati who seek to infect the entire world with the values of personal liberty and several property. Amongst our many crimes is a sense of humour and the intermittent use of British spelling.
We are also a varied group made up of social individualists, classical liberals, whigs, libertarians, extropians, futurists, ‘Porcupines’, Karl Popper fetishists, recovering neo-conservatives, crazed Ayn Rand worshipers, over-caffeinated Virginia Postrel devotees, witty Frédéric Bastiat wannabes, cypherpunks, minarchists, kritarchists and wild-eyed anarcho-capitalists from Britain, North America, Australia and Europe.
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