We are developing the social individualist meta-context for the future. From the very serious to the extremely frivolous... lets see what is on the mind of the Samizdata people.
Samizdata, derived from Samizdat /n. - a system of clandestine publication of banned literature in the USSR [Russ.,= self-publishing house]
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Michael Moore must surely rank as one of the hottest properties in showbusiness. The guy only has to show up to get an award:
Michael Moore’s controversial polemic Farenheit 9/11 became the first documentary for nearly 50 years to win the Palme d’Or at the Cannes film festival last night.
The film, which contains scathing attacks on the business dealings of President George Bush as well as the first footage of American soldiers torturing prisoners in Iraq, beat off competition from more famous directors, including Wong Kar-Wai, Emir Kusturica and the Coen brothers to scoop top prize.
Moore, who was given a standing ovation by the Cannes crowd, told them: ‘I’m completely overwhelmed by this. Merci.’
So they chose a wanker over a Wong Kar but it is pointless to pretend that there was ever going to be any other outcome. And giving him yet another gold-plated bit of object d’art to place on his buckling mantlepiece is one thing but a standing ovation??!!
In truth this was not merely a nod of recognition but an act of worship by a gathering of the faithful. Nor is this starry-eyed circus any longer about the merits (or otherwise) of any particular manifestation of Moorish propoganda for the detail is irrelevant. It is the ‘vibe’ that counts.
No, this is not about the films or books of Michael Moore, it is about Michael Moore himself and what the luvvies believe he represents. He is the icon and the muse of anti-everything who tells them what they want to hear and dresses it up as revealed truth. His flock gathers at ceremonies to offer up their tributes and commune with him while he bestows his benedictions upon them.
He is St. Michael of Moore. Peace be upon him and may flowers bloom where he treads.
Our “Quote of the day” below, links to an information page about a new film called ‘Slap her… she’s French’.
I was sufficiently intrigued by the title to inquire further and, judging from the serious reviewer, it would appear to be nothing more than a run-of-the-mill, formulaic teen comedy which I shall most likely never see.
But, for some people, it is something far more sinister. Beneath the professional review is a comments box where members of the public (and the clinically insane) can leave their own reviews and where I stumbled upon this hilariously deranged rant:
Hollywood has always been very good at serving Republican propaganda. In the 80’s we had brainless flicks such as Rambo 2, Rocky 4 and Top Gun, just to name a few of them.
Since Bush Junior took the presidency in a quite dictatorial manner, his team and him have separated America from the rest of the world at a point never reached before.
From late 2000 till 9/11, they started spreading hateful propaganda against Russia (trying to wake up ghosts of the cold war?) and racist propaganda against Chinese people, calling US citizens not to treat them as full American citizens. Mr. Bush was desperately looking for an ENEMY. Their ARROGANCE and VIOLANCE is matched only by the one of the Islamist terrorists.
On September 11, 2001, he and his team were served the best pretext they could have ever dreamed of, by people as crazy as them. Instead of analyzing the situation in a pro-active way and fighting terrorism cleverly in order to eradicate it, the reacted like dumb, immature, arrogant teenagers and preferred bombing innocent civilians.
The order given to Hollywood was to use the nations preferring peace than war as villains in their industrial products they deliver to the rest of the planet they so ARROGANTLY SCORNED. Part of this was the `French Bashing’ of which we have excellent examples in NO-BRAINERS such as “Slap Her She’s French” (no comment), `Master&Commander’ (In the book, the villains are British. France saved America from the British invasion in late 18th century; remember La Fayette), `Johnny English’ (ha, ha, ha, a French King trying to take over the British Queen), `Matrix Reloaded’, `SWAT’, `Along came Polly’, etc.
Let’s hope that when Mr. J.F. Kerry has been democratically elected in 2004, this virulent arrogance should come to an end, and America is part of the world again.
But, apart from that, how was the film?
Something rather remarkable has just happened. I am watching Baddiel and Skinner Unplanned, and they have just had a serious discussion about how they really did not like the fact that the Government can tell exactly which internet sites you have just been visiting, and read all your emails, and send you to prison if you encrypt them and do not tell them the key, or whatever it is. Baddiel and Skinner never have serious discussions.
A bloke in a beard (of the trimmed sort rather than ZZ Top style) asked a question about this, and instead of him being laughed out of the studio, they found themselves discussing it quite seriously. Bearded bloke was allowed to add a further comment (about the emails). Baddiel in particular seemed quite upset.
Interesting.
After taking in a movie in Times Square a few days ago, I was suddenly struck by a desire for that most classic of New York City cuisine: the hot dog. I had visions of a fat, juicy frank, smothered in cheese and dripping chilli. I was near drooling at the thought. New York, Coney Island, Baseball, Times Square, Hot Dogs. They are stream of consciousness free associations central to Gotham; icons of the Apple, core Americana.
One can argue whether this was caused by subliminal advertisements placed in ‘Troy’ by evil global fast food capitalists. Or perhaps it was the recent cable TV ad for ‘Girthy’ hotdogs starring a beer bellied, back yard barbecuing, flag saluting All American character named Frank. Regardless of the source of this sudden desire there was but one problem.
I could not find any. → Continue reading: Where have all the hotdogs gone?
Last night I watched the latest episode of Make Me Honest, in which Howard, a night club entrepreneur, completely and totally failed to make Lawrence honest. “Lawrence” is a fat young Jamaican conman, born and raised. (Last week I watched the previous episode in the same series.)
Nevertheless, Howard, for all the fatuous optimism that he brought to the project and to a large degree because of it, did a job on Lawrence and on all the other Lawrences who now infest Britain, and on the present pathetically feeble legal arrangements in Britain that make life so easy for all the Lawrences, that was sweetness itself.
As an exercise in trying to rescue Lawrence from the errors of his ways, it was an abject failure, with ABJECT FAILURE stamped all over it, from day one. It was never going to work. But the last laugh in this saga may not be Lawrence’s, because Lawrence’s true character is now nailed down in video for all the world to see and complain about. Lawrence’s life is probably now about to get a lot more complicated and nasty. In short, the tabloid pack will now be after him. → Continue reading: Howard fails to make Lawrence honest
For several decades now I have been seeing people I was at school with become semi-famous, the most completely famous of whom is now Richard Branson, with whom I shared a prep school, and even a rugby team for a term. (I was the worst in the team. He was a force of nature whom you really did not want to get in the way of, even then.)
Now, something else along similar lines is happening to me again. I am starting to notice what you might call graduates of the Alternative Bookshop/Libertarian Alliance/Free Market Think Tanks operation of the 1980s. And Greg Foxsmith is definitely a name I recall from those days. He was a customer, subscriber, name I remember in filled in forms, and I think I must have met him quite a few times, although I could not put a face to him until last night. How completely his thinking aligns with mine on all those precious issues, I do not know and do not care, but I would be very surprised if he did not pass the Perry de Havilland metacontext test with some ease. He is, in short, One Of Us.
And last night, Greg Foxsmith was on the telly, and I would have missed it had not a friend (thanks – she knows who she is) rang me and made me watch it. The programme was called Make Me Honest, and if you follow that link and you get to this:
Programme Three: Greg, Carla & Michael – Thursday 6th May 21:00, BBC Two.
Greg, an experienced criminal lawyer, took on two mentees – 21-year-old Michael who had convictions for football violence and theft, and Carla, an ex drug-addict. Greg offered Michael work experience in his own office to help him back into the real world. Greg knew that the first few hours out of prison were crucial for ex-addicts and kept a close eye on Carla and continued to phone her everyday.
With Mike the story was very mixed, and by the end Greg was no longer in touch with him, and was fearing the worst. But Mike had been shown making some progress, and there was definitely cause for hope at the point in the story where the programme left things, as well as foreboding.
With Carla, both the story and the outcome of the story were positively Dickensian, and by “postively” Dickensian, I mean Dickensian, but in a very, very good way. → Continue reading: How Greg Foxsmith helped Mike and Carla
The notorious right-wing, Reaganite, propoganda machine of Hollywood is crushing the dissent of Michael Moore:
Walt Disney on Wednesday found itself the focus of a controversy over its refusal to allow the group’s Miramax studio to release the latest film by Michael Moore, the gadfly Oscar-winning director.
Mr Moore, director of the anti-gun Bowling for Columbine, proclaimed himself a victim of censorship in an open letter on his website on Wednesday that said Disney had this week “officially decided to prohibit our producer, Miramax, from distributing my new film, Fahrenheit 9/11.”
According to Disney, the subsidiary’s independent-minded managers Harvey and Bob Weinstein were told a year ago that the production, exploring alleged links between the family and government of president George W. Bush and Saudi Arabians, including relatives of Osama bin Laden – would not be allowed into cinemas under a group brand.
A sobering day indeed when even the ‘limousine-liberals’ of Hollywood decide that Mr. Moore’s recipes of fabrication and manipulative agit-prop are too much even for them to stomach.
In his website posting Mr Moore indicated that he intended to keep the controversy simmering. “The whole story behind this (and other attempts) to kill our movie will be told in more detail as the days and weeks go on”.
And right there is Mr. Moore’s next best-selling book (“Stupid Movie Moguls”).
Here is an excellent piece of political and cultural commentary, about the excellent TV show South Park and its excellent political and cultural commentary, from Michael Cust.
A brief survey of some of the more salient libertarian episodes bears this out:
Episode 713 takes aim at Hollywood director Rob Reiner and the anti-smoking movement. The movement – and especially Reiner – is portrayed as, and called, fascist, controlling, and deceitful, while big tobacco is portrayed as honest, hardworking, and well-rooted in American history.
In Episode 616 drug war propagandists are labelled “ultra-liberals” who operate on the principle that “the end justifies the means.”
In Episode 614, political correctness is condemned. When the boys (the main characters) refuse to tolerate their intolerable homosexual teacher, their parents take them to the Museum of Tolerance, where tolerance of everyone (except tobacco smokers) is taught. When this fails, the boys are sent to a gulag called “Death Camp of Tolerance,” where they are forced at gunpoint to produce arts and crafts that don’t discriminate along the lines of race and sexual orientation.
In Episode 301, the boys travel to the Costa Rican rainforest as members of an environmentalist choir. While there, they learn how dangerous and deadly the natural world can be – as a snake kills their tour guide and aboriginals kidnap them. Upon their return to civilization, the boys put on a musical performance that admonishes smug first-world environmental activists. (In this episode, Friends star Jennifer Aniston guest stars.)
But this is just scratching the surface of a fruitful and deep social commentary that comes out libertarian on pressing current events. Just about any issue that libertarians hold up as an instance of state excess or market success is portrayed in the show …
All of which is very noble and very true. But what I like about South Park is that it is so damn funny.
What I believe this shows is that “Hollywood” is not nearly as biased against our kinds of opinions as people with our kinds of opinions, who happen to be talentless bores, often claim. It is just that Hollywood is biased against them and against all other talentless bores, for being talentless bores. What Hollywood is biased in favour of, as is often pointed out here – especially by this Samizdatista in these two much admired postings – is making money. If people with our kinds of opinions can help Hollywood to do that, Hollywood will welcome them with open arms.
Hollywood, like Cartman’s mother, is a dirty slut.
Cust also has some interesting and provokingly positive things to say about Michael Moore, and about the fact that South Park‘s Matt Stone contributed (in a good rather than anti-gun way) to Bowling for Columbine.
I do not understand how this works, but it sounds like fun, or at any rate like a ripple of the future:
A band from Germany has adopted a novel approach to getting their music heard by millions.
Super Smart have turned their backs on vinyl and CDs and instead have decided to just release their album as ringtones.
The album, Panda Babies, is published by a German company that focuses on digital music for mobile phones.
So if there’s there is no CD, what does the word “album” mean in this connection? And, if Super Smart are a “band”, what is a Super Smart live gig like? A bunch of Germans waving their portable phones at the audience?
The identity of the four-piece from Munich is shrouded in mystery and in photos they appear with giant panda heads.
“Shrouded in mystery” presumably means that Super Smart is actually one person, and anybody can be a Panda for the photo shoots. The individual, by wearing a uniform, is subordinated to the Greater Whole, dominated by one “Super Smart” individual. Germans eh? – they never change. But I suppose much the same could be said of the Wombles.
I have yet to acquire a mobile phone, so none of this will make any difference to me. But I do have some questions. For example: Can mobile phone music play more than one note at a time, or is it like solo violin music without any double stopping? How long can it go on for? Is any of it any good?
And can I buy a compilation CD of mobile phone Greatest Hits?
Feeling cheerful? Have a read of this:
In a new book, Bare Branches: Security Implications of Asia’s Surplus Male Population (MIT Press), Valerie M. Hudson and Andrea M. den Boer warn that the spread of sex selection is giving rise to a generation of restless young men who will not find mates. History, biology, and sociology all suggest that these “surplus males” will generate high levels of crime and social disorder, the authors say. Even worse, they continue, is the possibility that the governments of India and China will build up huge armies in order to provide a safety valve for the young men’s aggressive energies.
“In 2020 it may seem to China that it would be worth it to have a very bloody battle in which a lot of their young men could die in some glorious cause,” says Ms. Hudson, a professor of political science at Brigham Young University.
With luck, if the two armies do go to war, it will be against each other.
Apart from that, what is the answer? Homosexuality via genetic modification, administered with magic gamma rays beamed in by satellites? Male death, ditto? An immediate plan by someone to test-tube a lot of girls, now? Polyandry? When confronting such a problem we generally find that the answers have a way of mutating into grisly restatements of the problem. How can we avoid …?
In the words of Noel Coward, there are, as always, bad times just around the corner, although that song (recently covered with what appear to be somewhat rehashed words by Robbie Williams) was originally only about places like Kettering (where I believe this Samizdatista lives), Hull and the isle of (because it rhymes with Hull) Mull.
I have not seen The Passion of The Christ, and don’t plan to. A friend of mine told me that after a while The Passion just became boring, and I think that is probably how it would be for me. It is not so much that I am opposed to Christianity (although I am), more that I do not like horror movies, although of course part of the reason I am opposed to Christianity is that the crucifixion parts of it are to me a lot like a horror movie already.
But as a movie phenomenon, The Passion is fascinating. Mel Gibson has made a fortune with this movie not because he was trying to make a fortune, but because he was trying not to. He wanted other people to invest in it. But everyone else thought it would be money down the drain, so they refused. So Gibson invested great gobs of his own money, and now he gets this Niagara of profit. From a film about Jesus Christ. The ironies just pile up.
Hollywood also disapproved of the The Passion on ideological grounds, because an accurate presentation of the Gospels version of the crucifixion sets the Jews up, yet again, as the villains of Western Civilisation. The Gospels, as far as Hollywood is concerned, are anti-Semitic. I agree with Hollywood about this. This is yet another reason why I am not a Christian. But none of that stopped Mel Gibson from doing The Passion. The great thing about the free market is that anyone can join in.
Changing the subject only somewhat, I note that James Lileks today ruminates about why there has not been much in the way of movie making about or around the subject of the 9/11 attacks. Basically, he says, the reason is that Hollywood disapproves of what such movies would have to say. Arabs bad. America good. George W. Bush good. Israel not part of the story. And Hollywood does not believe any of that. So, no 9/11. → Continue reading: Could someone do with 9/11 what Mel Gibson did with the crucifixion?
Arts & Letters Daily links to two articles, both protesting against the absurdities and cruelties of political correctness.
David Mamet writes in the Guardian in connection with the forthcoming London production of his play Oleanna, the central character of which is a young woman who falsely accuses a man of raping her:
The play’s first audience was a group of undergraduates from Brown University. They came to a dress rehearsal. The play ended and I asked the folks what they thought. “Don’t you think it’s politically questionable,” one said, “to have the girl make a false accusation of rape?”
I, in my ignorance, was stunned. I didn’t realise it was my job to be politically acceptable. I’d always thought society employed me to be dramatic; further, I wondered what force had so perverted the young that they would think that increasing political enfranchisement of a group rendered a member of that group incapable of error – in effect, rendered her other-than-human. For if the subject of art is not our maculate, fragile and often pathetic humanity, what is the point of the exercise? And if the writer is capable, why enquire, let alone obsess about his sex? No one ever said of a comedy, “I laughed myself sick until I discovered the sex of the writer.”
But as Theodore Dalrymple makes clear, there are limits to the notion that a woman can do no wrong. If the wrong is done to her by her own ethnic minority, and even in particular by a male member of it (her father), then it is all her fault. → Continue reading: She can do no wrong – but it is all her fault
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Who Are We? The Samizdata people are a bunch of sinister and heavily armed globalist illuminati who seek to infect the entire world with the values of personal liberty and several property. Amongst our many crimes is a sense of humour and the intermittent use of British spelling.
We are also a varied group made up of social individualists, classical liberals, whigs, libertarians, extropians, futurists, ‘Porcupines’, Karl Popper fetishists, recovering neo-conservatives, crazed Ayn Rand worshipers, over-caffeinated Virginia Postrel devotees, witty Frédéric Bastiat wannabes, cypherpunks, minarchists, kritarchists and wild-eyed anarcho-capitalists from Britain, North America, Australia and Europe.
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