People will bet on anything these days.
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People will bet on anything these days. Classical music blogger Jessica Duchen yesterday featured a bit of video/audio of the great Grigory Sokolov playing the wonderfully manic third and last movement of Prokofiev’s Seventh Piano Sonata, which is marked Precipitato. I have a DVD of Sokolov playing this, plus some Beethoven, and I assume this clip is from that. (The Beethoven on that DVD is also marvelous. I’ve never heard the somewhat poor relation Op. 14 numbers 1 and 2 sonatas sound better. Or, maybe I’ve just never listened properly before, and this DVD of Big Bear Sokolov finally got me doing that. Don’t know, don’t care.) To succeed, music has to have at least one of: melody, harmony and rhythm. Too much twentieth century classical type music scores zero out of three, and hence will never be widely liked. This Prokofiev movement scores a thunderously successful ten out of ten (to switch marking systems) in the rhythm department, and does pretty well on the other two as well, I think. (Which, come to think of it, is a description that applies pretty well to Prokofiev’s entire output.) Do have a listen/look if you’ve not heard this piece and enjoy white hot piano playing. It is about four minutes long, with lots of understandably noisy clapping at the end that you can ignore. It helps that this is the kind of music that, I think, easily survives cheap computer-type speakers. “…and the nominees in the category of Best Fashionable Issue in a Guilt-Supporting Role are….(pause)…World Poverty (applause)…AIDS (applause)…the Iraq War (bigger applause)…Africa (applause)…and Saving the Planet (huge applause). And the winner is…..(rustle, rustle, rustle)…Saving the Planet!! (more huge applause, whoops, whistles). Sadly, the Planet can’t actually be with us tonight because its currently on location shooting another movie with Al Gore. But it is going to speak to us now by live satellite link.” PLANET: (by satellite feed) Oh…oh…this is just so…I don’t know. What can I say? I’m overwhelmed, you know. I mean, I’m up there with World Poverty and AIDS, I mean, WOW, what competition!! I’m just….I don’t know, let me tell you that I am one thrilled, happy, proud biosphere right now. But, you know, this Award isn’t for me. It’s an Award for all the brilliant people who made it possible to save me, all those NGOs and…especially Al Gore…and let me tell you, I am so in awe of that man. I am totally, unbelievably excited to be working with him again. He is my saviour. Absolutely, you know. And I’m accepting this for him as well. What else can I say? I need a drink. Somebody get me a drink (burst of laughter, close up of Jack Nicholson busting a gut). But, seriously, I really want to thank the Academy and I also want to thank my agent, Murray Felberman….I love you, Murray, I love you man. So, I got to get back to work now but I just want to say that I love you all and when I get back to LA we’re going to have a big party (blows kiss). And about time too:
Quite right, I say. This insenstive cultural anachronism is completely outmoded and needs to be consigned to the dustbin of history. In fact, I have taken the liberty of writing a short synopsis of a new, modernised version of the Puccini opera which will more accurately reflect the values of a modern-day audience. → Continue reading: Lepidoptera Grrrl I love the BBC TV programme Top Gear but even great men have their weaknesses. Jeremy Clarkson takes the ‘Borat’ route by making fun of folk in America’s Deep South. How jolly original of you, Jeremy. Is not the whole “These guys from the South are thick, whisky-swilling in-breds with mullet haircuts and guns” a bit tired? Oh well, even the good guys have their off-days (thanks to Andrew for the link). Clarkson should stick to driving insanely quick Bugattis and cheering us all up. “I always felt this country was going down the tubes when the television folk replaced Basil Brush with Roland Rat.” My dad, with his finger on the pulse as usual. Here is a tribute page to television’s most superior fox. Yesterday, I attended a most enjoyable Sunday lunch, with an old school friend and his wife . It began at a civilised time, 2pm, which enabled me, before departing, to hear the winner of CD Review’s pick of the best available recording of Haydn’s Symphony No. 88 on Radio 3. This delightfully sunny piece is one of my favouries, and Colin Davis and the Concertgebouw played it wonderfully. As I walked across the Thames to Vauxhall Station I took photos, in the perfect early February yet spring-like weather. The train I travelled on arrived at Vauxhall exactly when I reached the platform it stopped at, and was agreeably uncrowded. The walk from Wimbledon Station to my friend’s home was most pleasant. So I was in a good mood when I got there, and nothing happened from then on to spoil my enjoyment in any way. Anyway. One of those present was a rather rich man, and I now know how you can tell a rich man. Ask him how many houses he owns. He hesitates, and then he starts counting on his fingers. “The length of a film should be directly related to the endurance of the human bladder”. – Alfred Hitchcock, who was always a practical fellow. On a Sunday afternoon, when recovering from a close friend’s birthday the previous evening – in the Dover Street wine bar – god help my liver and I – there is no better way to resume some semblance of humanity than to listen to this woman. I first chanced upon one of Diana Krall’s CDs about a decade ago and she has held a firm place in my music-playing selection ever since. Her version of “Face the Music and Dance” was my choice of first musical piece at my wedding last year, taken from this CD. Norah Jones is great, Peggy Lee was wonderful and Ella Fitzgerald could charm the birds off the trees, but Krall is as good as any of them – not to mention rather easy on the eye – and hopefully will be around for a long time yet. No wonder Clint Eastwood went nuts when he saw her playing in a local Carmel bar before she became a megastar. My hangover is fading already. ![]() The other night I glanced at the television to see an advertisement for a smooth-looking new car by Hyundai. All very clever with a sort of liquid metal effect – due to the wonders of computer generated technology – but absolutely nothing at all about the car. There was no description of how fast the car could go, what sort of gearbox it had, how many seats, how much it costs, what its fuel consumption is. Nothing. It was about as informative as watching a North Korean press release. The reason, I think, why modern car advertisements are like this is because of a campaign by the UK authorities, with bodies like the Advertising Standards Authority, to remove all reference to the idea that a car is desirable because it goes fast. One must not offend against the Gods of Health and Safety by implying, stating or otherwise celebrating that this or that set of wheels goes like a rocket. No sir. One must not lead the gullible British public into the sin of speeding and other naughtinesses. What we therefore have are adverts that are self-indulgent eye candy, of no more import than a nice piece of modernist artwork. Here is an example of what I mean. It is, I suppose, a reflection of the society in which we live that advertisements, like old Tom and Jerry cartoons, get bowdlerised or otherwise influenced by the desire to remove all risk from life. But life is not free from risk, and risk is actually one of the ways that you know that you are alive rather than dead. On a brighter note, Richard Hammond, “The Hamster” as he is known to his Top Gear TV colleagues, is back to the screens this Sunday after recovering from a stunt that went badly wrong. What I continue to love about that show is that you know, you just know, that the serried ranks of the do-gooder classes cannot abide this programme. Go Hamster! Okay, another plug for a funny piece of entertainment following my previous posting. My kid brother bought me the DVD of the first series of ‘Look Around You’, which is a glorious send-up of the 1970s programmes which were used to teach pupils and college students about science, maths and other subjects. The production styles: slightly fuzzy camera shots, corny old folk music, guys with Frank Zappa haircuts wearing tweedy jackets and black-rimmed spectacles, brought back scary memories of how long ago in style terms the 1970s now appears. I went to primary school in that era of flares, British Leyland cars, Roxy Music and endless labour disputes. The education programmes used to be narrated by some posh-sounding gent, or occasionally woman, normally with a perfect received pronunciation and heavy touch of condescension. The programme-makers would sometimes be a bit daring and let the vowels of Edinburgh or even Wales onto the show. It may be unlikely material for a spoof, but the show Look Around You is in my view the funniest television comedy I have seen in years. I do not know if someone who was not brought up in Britain when these original programmes were made would ‘get’ the gag. However, if you are British, aged about 40 and your blood runs cold at mention of the words NHS spectacles or “modular study guides”, then rent out or buy this DVD. We like to bash the BBC here at Samizdata because of the tax-financing of it, sorry, the licence fee, but this is a gem and is in the same bracket in my opinion as ‘The Fast Show’. (Health warning: I laughed so much at this show that my jaw is now actually quite painful. Avoid liquids). |
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