We are developing the social individualist meta-context for the future. From the very serious to the extremely frivolous... lets see what is on the mind of the Samizdata people.

Samizdata, derived from Samizdat /n. - a system of clandestine publication of banned literature in the USSR [Russ.,= self-publishing house]

Cross genre brilliance

The movie “Pride and Predator” has just gone into production. And yes, the plot is exactly what you think it is.

Some comic relief

This is on my Amazon wish-list. I love the mad, over-the-top style of the late Terry Thomas and from a young age, was delighted by his crazy turns of phrase, his hilarious demeanor and wonderful portrayal of the upper class cad. I must say that every time I am unfortunate enough to see Gordon Brown, The Community Organiser or Sarkozy on the television, it is hard not to shout out in true TT style: “What an absolute shower!”

Where did the expression “absolute shower” come from, by the way?

Cool photos

Taking a break from the financial tsunami and idiotic politicians, here are some wonderful infra-red photos. (Via David Thompson).

Paying for art

The UK’s National Gallery – a state-backed institution – and galleries in Scotland have secured £50 million to pay to keep a Titian painting “for the nation”, using state – taxpayer’s money – for this purpose. A Scottish Labour MP has criticised the use of taxpayers’ funds on this painting, arguing that such money would be better spent on supporting arts eduction for school children instead. The story is here. Naturally, the idea that a work of art that has been loaned by its owner is private property and should not be thought of as a something that belongs to “the nation” is not addressed in the article I link to, since that is outside the intellectual frame of reference either of the arts bureaucrats who spend this public money, or indeed the Labour MP who criticises them.

Leave aside the hopefully temporary problems posed by the credit crunch. For the past decade or so, there has been a huge amount of money swirling around among the rich and even not-so-rich to be spent on the arts. There is no need, in my view, for a penny of taxpayer’s money to be spent on the arts. Leave aside whether you love or loathe the things that public funds are used to support: the point is that these things should not be receiving tax-raised funds at all. Let the rich of today patronise what budding Titians, Raphaels or Turners that might be out there.

Reading books

I occasionally will read a big novel, such as a “classic”, because I think that it is a mark of a reasonably intelligent person to be on nodding terms with some of the high points of our literature, although I often wimp out and pick up an old R. A. Heinlein or the latest John Varley science fiction novel instead. But I certainly do accept that there is nothing more tedious than plodding through acres of text as if it were somehow proof of moral virtue or literary stamina. Tolstoy’s War and Peace is a bit like climbing the North face of the Eiger – more of an effort than I think it worthwhile making right now. And James Delingpole thinks the same. His article on the late John Updike is caustic, if not disrespectful.

Be seeing you, Patrick McGoohan

One of my favourite actors, star of the great series, The Prisoner, has died. Here’s a great appreciation of that cult 60s television series by the late Chris R. Tame. It goes without saying that the message of that series – the dangers of an all-encompassing state – are more relevant now than ever.

Patrick McGoohan, rest in peace.

Cuban delusions

This guy clearly is not impressed by the recent Hollywood film about ‘Che’ Guevara, which I will not be watching:

I wish that Mr. Soderbergh and Mr. Del Toro could live in Cuba, not as the pampered VIPs that they are when they visit today, but as Cubans do, with no United States Constitutional rights, with ration cards entitling them to tiny portions of provisions that the stores don’t even stock anyway, with chivatos surveilling them constantly. How long would it be before Mr. Soderbergh started sizing up inner tubes, speculating on the durability and buoyancy of them, asking himself, could I make the crossing on that? How long before Mr. Del Toro started gazing soulfully at divorced or widowed tourist women, hoping to seduce and marry one of them and get out? Only then could they see why this insipid, frivolous and pretentious movie they have made is nothing less than an insult to millions of people, who really do live like that, and who’ve lived like that their entire lives.

The quote was seen at the blog of David Thompson.

I have said it before and I will repeat: for all its possible charms, I am not setting foot in Cuba until it becomes a haven of capitalist decadence. Not a minute before. Even if that means paying more for cigars and the booze.

Here is a film about Cuba, starring Andy Garcia, which is much more worthwhile.

Merry Christmas from Belfast

Beflast City Hall Bazaar
City Hall Christmas bazaar.
Photo: copyright Dale Amon, All Rights Reserved

Disastrous entertainment

I love the Larry Niven and Jerry Pournelle book, Lucifer’s Hammer, which is in my view the best “disaster book” every written.

What is your favourite disaster movie/book?

Nifty photographs for Friday

Check out this site for some superb photographs.

I was going to think of something profound to say about the news headlines, but every time I read the words “Gordon Brown” these days, a small part of me dies.

A Bit More News for Gordon Brown and his party

Last night I watched Have I Got a Bit More News for You?, which is the extended Saturday night version of the BBC’s popular current affairs and comedy quizz show. Something interesting was said, and even more interestingly, not contradicted. HIGN4Y regular Ian Hislop was commenting on the Mini- Pre- Budget that isn’t really a Budget, but really is. He said that the country had got into terrible trouble because of everyone borrowing too much money. And the government’s answer is that the government is going to borrow lots more money. General derision, and no contradictions from anybody. I don’t know what Germaine Greer’s economic policy prejudices are, but going by her other opinions, I thought maybe she might make some attempt to defend the government’s economic policy, if only by quickly changing the subject. No. Nothing like that.

Come to think of it, I have all this on my telly hard disc. Bear with me. Yes, here we go:

Hislop: “It’s a whole package of measures to save us all! We’ve got into terrible trouble for years by excess borrowing, so we’re going to … borrow!!!!!” Derisive hand gesture. Derisive laughter from studio audience. “That’s it, that’s the whole report.”

Young Comedian sitting next to Hislop: “Isn’t it that we’re going to be a trillion pounds in debt, after this?”

Hislop: “Yes.”

Young Comedian: “That is an awful lot … If you bring up your bank balance and it says that, you’ll feel pretty crushed, I think.”

Hislop: “It’s bad, isn’t it?”

Young Comedian: “I don’t know how I’m going to make that back, Ian.”

Hislop: “Well, you’re young enough that you will have to make it back. We’ll all be dead.”

Young Comedian: “I suppose so. I thought no one else looked as worried about it as I was. What was Damien Hirst doing in the middle of that?”

Damien Hirst has been laying off art workers. When the silly price of silly art slumps, you know the economy is tanking. Later, they had a reference to the fact that the bail-out is costing us twice what World War 1 cost us. Paul Merton said that this won’t be over by Christmas either, to general laughter. And, as I say, not a peep out of Germaine G about this catastrophe.

The central point is this. We borrowed far too much – Now the government says we must borrow far too much more thereby making our children and grandchildren into tax serfs – How idiotic is that? This is fast becoming the Grand Narrative here. If so, and given that the Conservatives are saying this too, that Labour melt-down is becoming a real possibility.

Shooting vampires with a Fig-Rig

Today I am going to do duty as a background extra in a short vampire movie that a friend of mine is starring in. I am to be one of a number of diners in a restaurant. I won’t be paid but I will be fed, and I already know that it’s a very good restaurant because I’ve already been there before.

Today I got a look at the email sent out by the production to all whom it concerned, about today’s activities. This was, for me, a glimpse into a whole new world of complexity and managerial drive. Here, just as a tiny for-instance (there are three whole pages of stuff like this), is a list of the kit that will be used by the DOP/Grip/Lighting Department:

2 X Sony EX1 (with S XS cards) – 1X Intel Mac Book – 1X S XS card reader & firewire cable – 500GB EXT HD (or equivalent space for backup) – 1X Letus Ultimate Adapter & photographic lenses – 6 X Prime Lenses & PL Adaptor – 1X Manfrotto Tripod – 1X 32in LCD TC & Composite leads – 1X Steadicam Junior – 1X Manfrotto Fig-Rig – 1X 8in Camera Monitor with composite leads – 1X 25m BNC cable drum – 1X Mini-Jib with Tripod & Fluid Head – 2X Paglights and battery packs – 3X Redheads with stands, diffuser/gel kit – 1X Set of 3 dedo lights with stands – 1X 2ft 4-bar Kino-flo with stand – 1X 200W Handheld MSR lamp – Reflectors, gels, diffusers, clips and stands – Blacking for windows

I am looking forward greatly to seeing what this all looks like in practice. I suspect that, in reality, it won’t amount to very much at all.

My favourite is the “Manfrotto Fig-Rig”. Time was, when faced with a splendid name like that, you just read and wondered. What kind of Rig would that be? And why “Fig”? But this is the age of the internet, and I can immediately tell you the answer:

From initial conception to finished product, Manfrotto worked alongside director Mike Figgis, whose films include Leaving Las Vegas and Cold Creek Manor, to develop a hand held DV camera support system that offers the shake-free stability of a tripod with the framing flexibility of handheld shooting. A circular frame with a crossbar to mount most mini DV cameras, the FigRig mn595 becomes part of the body to produce smooth, steady travelling shots. It is this very fact which is the secret to the Fig Rig. As the operator walks, his/her muscles and tendons absorb all the shocks, transferring only fluid movements to the camera. As there are no straps or harnesses attached to the Fig Rig, quick and wide movements can be made within the same shot from ground-level to overhead, in one smooth movement. The camera, accessories and operator become one, allowing you to film scenes quickly and unobtrusively.

So hats off to Manfrotto, and it is called “Fig” after Figgis.

FigRig.jpg

This piece of kit costs around £150 quid. I still don’t quite get how it works, but here’s hoping that I find out.