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I am not going to tell you much about it: only that it is one of the best SF movies I have seen in a long while and perhaps the best combat movie I have ever seen. The soldiers acted like soldiers. They were competently led by people who were very human and proud to be US Marines. Go see it, and then tell all your friends about it. March 20th, 2011 | 26 comments - (Comments are closed)
 Fugitive Inklings is what the blog Fugitive Ink has turned into, and just over a week ago, it featured a delightful posting about a visit, by Madam Fugitive Inklings and her young son, to the Globe Theatre. This is one of London’s most successfully idiosyncratic recent architectural additions, being a recreation, as authentically as they could make it, of the original Globe Theatre, pretty much where it originally was, where many of Shakespeare’s plays were first performed. Mother and son attended, not a play, but a stage fighting demonstration, done with the exact sort of weapons that would first have been used in these plays. Better yet, they got to hear about it from the man who contrived these weapons. This is one of those posting where you start out trying to pick a particularly good bit, but end up wanting to copy the whole thing. So, instead of copying and pasting any of it, I say: go there and read the whole thing. Not long ago, I read a book called 1599: A Year in the Life of William Shakespeare, which starts off with the tale of how they moved the original manifestation of the Globe Theatre from its previous home in north London, across the river to the South Bank, i.e. to where the Globe is now. And I think it was also in this book where I read that a great many of the people in the first audiences for Shakespeare’s plays were soldiers, camped outside the city limits of what London then consisted of, waiting to go off to fight on the continent. Such audiences would have paid particular attention to fights, and to the weapons used in them. And of course they would have understood perfectly all the verbal references to weaponry that occur in the plays, many of which now baffle most of us. March 5th, 2011 | 8 comments - (Comments are closed)
Here is a good piece by Rob Fisher about the latest episode of Channel 4 TV’s 10 O’clock Live. Particularly good bit:
I agree with Rob. My preferred attitude to spreading ideas has always been to unbundle them, to try to spread them, at any rate in hostile circumstances, one at a time or at least only a very few at a time. Bundling among friends is also, if you think about it, often saying just the one thing or just the few things, that the bundling of this with that and maybe also with that makes sense – this, that and that having already been long agreed about separately. I haven’t watched 10 O’clock Live beyond episode one, but applaud Rob for doing so. We need our people everywhere, and watching (between us) everything. February 21st, 2011 | 13 comments - (Comments are closed)
Remarkable developments are in train at London’s Royal Court Theatre, in the form of a play that is about climate science, but is not Watermelon propaganda. In a guest posting at Bishop Hill, Mr and Mrs Josh (Mr Josh also does the cartoons at Bishop Hill) provide a fascinating and enticing review of The Heretic, a new play by Richard Bean:
Maybe I am reading far too much into this, but this sounds like it could be something of a cultural turning point in Britain. For decades now, there has been a self-reinforcing feedback loop shutting out anything but left wing friendly dramas from the live theatre in Britain, or so it has seemed and felt to one of those who has felt shut out. No anti-lefty dramas – e.g. praising Thatcher or heroic entrepreneurs or working class vigilantes, or denouncing bossy social workers or manipulative communists or ridiculous civil servants or psychotic and tyrannical Islamists, or pointing at the state itself as the prime mover in the banking crisis – have made sense to the theatres, because the audience for such things hasn’t been there, and because writers have been disinclined even to bother writing such things. What’s the point? And because there is no non-lefty drama, the audience for such things never comes. It stays at home surfing the net or watching its preferred telly shows and movies. If it is like me, it blogs. Crucial to the willingness of another audience to show up to see this play is that it can be urged to do so on the internet, despite the major official organs of British theatre publicity, notable the BBC and the Guardian, apparently trying, just as they have tried with Climategate itself, to be very sniffy and dismissive. If a new audience does show up in strength at the Royal Court to see The Heretic, then that could result in Britain’s theatres saying: hey, I wonder if there are other non-lefty-friendly “issues” out there that we haven’t done before, because the BBC and the Guardian haven’t allowed us to? Never forget that theatre folk love a big row, provided only that the row isn’t too big, as it would be if they took at serious whack at Islam. They love to push the boundaries, not too far, but just that little bit beyond what is entirely safe. They love to make mischief, to get everyone shouting at each other. They love to take the piss out of whoever happens at any particular moment to be the pompous and hypocritical elite, because, potentially, maybe, that will sell tickets, contrive bums on seats. Okay, most British thesps are lefties themselves, but many of those lefties are theatricals first, lefties second, and in quite a few other cases, on the quiet, so I surmise, not actually proper lefties at all, really, even though they dress like lefties and talk like lefties. A earlier key moment in British theatrical history happened in the late nineteen fifties. British live theatre was then the Conservative Party at play, watching third-rate Noel Coward imitations consisting of brittle, well-dressed upper middle class chat in implausibly opulent living rooms with big floor-to-ceiling French windows at the back, centre stage. That is a caricature but not that much of one. But suddenly, or so it felt, all that was smashed to pieces by John Osborne’s Look Back in Anger, and all that followed from it. Look Back in Anger was also, by the way, first presented at the Royal Court. Perhaps my view of all that is a bit myopic, because the nearest theatre to my home when I was a kid was the Windsor Rep, which, I seem to recall, showed third-rate Noel Coward imitations just about all the time. But I suspect I have it about right, even if those closer to theatrical happenings then had felt in their water that the Angry Young Man upheaval had been coming for some time and thus remember it as a somewhat more gradual thing. I’m not saying that The Heretic is in the same class, as a play or as a culturally explosive event, as Look Back in Anger. I haven’t seen The Heretic yet. But this new play may perhaps, with hindsight, come be seen as one of the bigger paving stones that paved the way for something that is more like Look Back in Anger. Goodness knows, Britain certainly contains plenty of anger just now. Conveniently for me, the Royal Court Theatre is in Sloane Square, which is only a longish walk or a short bus or tube ride from where I live. I’m giving a talk on Monday. As soon as that’s out of the way, I will pop around to the Royal Court and fix to see The Heretic for myself. February 12th, 2011 | 14 comments - (Comments are closed)
February 11th, 2011 | 121 comments - (Comments are closed)
I’ve heard about this many times, and laughed at what I imagined it to consist of, again and again. But I’ve never actually seen it, until, a few days back, Instapundit linked to it. “A few days” is a decade in Instatime, so forgive me if I don’t trawl back for half an hour through half a dozen pages of Instapunditry until I spot his posting on the subject, and merely supply anyone besides me who is interested with the link to the thing itself, which I did make a note of. Here. February 5th, 2011 | 3 comments - (Comments are closed)
I have seen some Sci Fi action scenes in my time, but for sheer, oh-my-god-that’s-incredible-when-can-I-see it? sort of level, this India-made film is extraordinary. Another sign, by the way, of India’s economic prowess, I think. There are robots, lots of them, and of course, the all-important hot brunette in a tight costume. That’s got your attention, Perry! (H/T, Boing Boing). January 28th, 2011 | 22 comments - (Comments are closed)
John Nolte, at the Big Hollywood blog. I think he has a strong point in his praise of Ricky Gervais’s performance, but I have a slight reservation. Imagine if Gervais had said such insulting things about showbiz people that Mr Nolte holds dear, or causes he supports. I doubt we would get such applause. And I also note that in the Daily Mail newspaper yesterday (I quote from reading the print edition), the writer, Quentin Letts, raves on about Gervais’s rudeness as if it was a barnstorming example of high wit. No it wasn’t. I cannot imagine your average Daily Mail reader enjoying say, an attack by an American comedian on the Royal family, for example. The sad truth is that yes, Hollywood is full of self-regarding jerks who deserve all they get. But that does not make gratuitous rudeness somehow clever, as far as I can see, and I don’t see how we are going to get better movies as a result. And this does all rather cement the idea in American’s minds that many Brits are little more than hooligans. (I’d like to know what Stateside commenters think of how this all comes across.) Talking of good movies, has anyone yet seen The King’s Speech? January 19th, 2011 | 50 comments - (Comments are closed)
This posting is about politics in the USA. Please realise that it is a simplification, what mathematicians call a first approximation, more true than false, and sufficiently true to be worth saying so that it may perhaps then be modified and qualified towards the actual truth. I ought also to admit that I have never set foot in the USA, and that I got the notions that follow from the Internet, and before that from watching (as I still now watch) USA television shows (mostly comedy and cop shows). We here in Britain get lots of those. I freely admit that distance, instead of lending clarity to my eye, could merely have lent and be lending bullshit to it. In fact, I do admit it. But the bullshit it has lent includes the kind of bullshit that wins and loses USA elections. First approximation truth about what is being perceived, about what big bullshit picture is being believed in, is often sufficient to win or lose an election. For as we all know, a big part of reality in politics is perception. Voters in the USA get a lot of their ideas about politics in the USA from the Internet and from television shows, or so it says on the Internet and on television. So here goes. In political USA now, there are now four important groups of people. There are Democrats, Old School Republicans, Tea Partiers, and Voters. Political outcomes were determined by what the Voters decided about the first two. They are now determined by what the Voters decide about the other three. Voters used to think that Democrats were good people with bad ideas, clever, but mostly only at excusing their bad ideas. Democrats sincerely believed in bloating the government, taxing, regulating and generally screwing things up. But they applied these bad ideas to all, without fear or favour. Personally, they had blue collars and were honest hardworking folks. They did not lie or cheat. They looked you in the eye and treated you right. Voters used to think that Old School Republicans were bad people with good ideas. Republicans believed in business success, low taxes, less regulation, and generally getting the US economy motoring along. Trouble is that they were also rich and nasty snobs, and corrupt. They used their grasp of economics mostly to get rich themselves. Politically, they applied their ideas only in ways that suited them. If a tax or a regulation happened to suit them or their huge country club network of rich and nasty and snobbish friends, then they would, on the quiet, be for it. For them, business-friendly government meant a government friendly to their own businesses. If, on the other hand, your collar was blue, they’d deregulate and tax-cut the hell out of you, for the good of all, and for the good of themselves especially. Hard to choose, wasn’t it? No wonder it was a dead heat, decade after decade. Good but stupid idiots versus clever but sneaky bastards. It still is a dead heat, between Democrats and Old School Republicans, but this is because things are now moving towards Voters thinking that Democrats are bad people with bad ideas, and that Old School Republicans are bad people with bad ideas. Democrats now look like (or are being revealed as always having been) greedy and malevolent bastards with the same old bad ideas as ever. Old School Republicans are the same rich and greedy snobbish bastards they always were, but are now seen to be infected by (or revealed as always having believed in) bad ideas much like those of their opponents. Enter the Tea Party. The Tea Partiers started out as people whom the Voters regarded as dubious people with dubious ideas, and are moving towards being people whom the Voters believe to be … I need some way to emphasise this next bit. Pay careful attention. I know, I’ll put the next five words into the title of this posting. … good people with good ideas. The Tea Partiers have good ideas, which they sincerely want to apply to all without fear or favour. They are good people who work or worked for their living, will look you in the eye and treat you right, no matter what colour your collar, or anything else about you. The Tea Partiers thus threaten to destroy both the Democrats and the Old School Republicans. They threaten to destroy the Democrats by destroying them, and to destroy the Old School Republicans by replacing them with different Republicans, Tea Party Republicans. The Democrats say that the Tea Partiers are “extreme” Republicans, Republicans who are even nastier. They wish. The Tea Partiers are indeed creating a new sort of Republican, but not an even nastier Republican. They are creating nice Republicans. Electorally, the Tea Partiers are cleansing the selfish richness and snobbishness and nastiness out of the Republican brand, leaving the ideas that the Republicans appeared once to believe in untouched, and renewed in strength and quality. If the Republican brand resists too much, the Tea Partiers will destroy it and make another. The recent financial melt-down is, of course, crucial to all of the above. In a crisis, ideas matter. And the Internet, the new idea spreader, is also crucial. USA citizens need no longer submit to being told what they think about bad times, by the bad people with bad ideas who are to blame for these bad times. Democrats are being revealed as nasty, by the melt-down and the Internet. Old School Republicans are being revealed as stupid, by the melt-down and the Internet. The Tea Partiers are being revealed as being good people with good ideas, by the melt-down and the Internet. No melt-down and no Internet, and you are back to the old dead heat between nice idiot Democrats and sneaky bastard Old School Republicans. And the Tea Party? Without the melt-down and the Internet, there is no Tea Party. (According to television, there is, still, no Tea Party, only criminals.) No wonder the Democrats and the Old School Republicans hate and fear the Tea Party and are trying anything and everything they can think of to make it seem like bad people with bad ideas. Trouble is, all that the critics of the Tea Party can now think of to say about the Tea Party just adds to the impression that such critics are nasty and stupid bastards. This is a snapshot of now, not a prophecy about the next century. This is how USA politics is now and the direction that USA politics is moving in now. I don’t say that things will continue this way indefinitely. In particular, how will the Tea Partiers take to being part of the government, to having to grapple face-to-face with the melt-down? The continuing melt-down and the Internet might then turn round and reveal the Tea Partiers to be just another bunch of good idiots or nasty bastards, or just nasty idiots. But, the melt-down and the Internet are not doing that now. They are doing the exact opposite of that. January 17th, 2011 | 36 comments - (Comments are closed)
Health and safety kills off the Lear of a lifetime. Jim White writes in the Telegraph:
I struggle to know how to respond to this. Could I, perhaps, take a line or two, as suggested in my title for this post, from another of Shakespeare’s plays:
Or could I say, begone, abominations. You are dead things that pretend to live. January 7th, 2011 | 28 comments - (Comments are closed)
Hello, what is this? BBC comedians (Armstrong and Miller, no less) making fun out of the failure of Global Warming to be … warm? Spotted by the ever-alert Delingpole, who has the video up at his blog. It’s under a minute long and is a must-see, if you’ve not already seen it. I wonder if it was that earlier viral video, the one in the classroom with the exploding kids, that alerted these guys to the comedic possibilities of this debate? The reaction to this latest piece of (I trust) internet virality will be interesting. December 14th, 2010 | 11 comments - (Comments are closed)
Culture is very important. That is why the government should never be allowed to have a role in it. – NickM December 6th, 2010 | 12 comments - (Comments are closed)
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