I am suspicious of almost all political state apparati. But I make an exception for the State of Israel. My attitude towards the State of Israel is one of unconditional positive regard. Their fight is my fight, and they are actually fighting it. Whenever I hear that Israel has done something bad, I assume that (a) if it was bad they definitely had some very good reasons for doing it, but that (b) it almost certainly wasn’t that bad, and that whoever is telling me that it was that bad is deceiving me, either because he is himself deceived or because he is a malevolent fool.
This article, by Matti Friedman, explains some of the many reasons why I think and feel as I do about Israel. The article focuses in on, so to speak, a subject that has been very dear to my heart for the last decade and more, which is the vital role in the modern world played by photography, professional and amateur, and especially in its digital and hence instantaneously communicable form. Friedman includes a very telling photograph in his article, of a sort you don’t usually see, of a rally in Jerusalem in support of Islamic Jihad. Does the camera ever lie? It certainly squirts out a stream of lies by omission.
Says Friedman:
Hamas is aided in its manipulation of the media by the old reportorial belief, a kind of reflex, according to which reporters shouldn’t mention the existence of reporters. In a conflict like ours, this ends up requiring considerable exertions: So many photographers cover protests in Israel and the Palestinian territories, for example, that one of the challenges for anyone taking pictures is keeping colleagues out of the frame. That the other photographers are as important to the story as Palestinian protesters or Israeli soldiers – this does not seem to be considered.
In Gaza, this goes from being a curious detail of press psychology to a major deficiency. Hamas’s strategy is to provoke a response from Israel by attacking from behind the cover of Palestinian civilians, thus drawing Israeli strikes that kill those civilians, and then to have the casualties filmed by one of the world’s largest press contingents, with the understanding that the resulting outrage abroad will blunt Israel’s response. This is a ruthless strategy, and an effective one. It is predicated on the cooperation of journalists. One of the reasons it works is because of the reflex I mentioned. If you report that Hamas has a strategy based on co-opting the media, this raises several difficult questions, like, What exactly is the relationship between the media and Hamas? And has this relationship corrupted the media? It is easier just to leave the other photographers out of the frame and let the picture tell the story: Here are dead people, and Israel killed them.
Mick Hartley, at whose blog I first learned of this article and first read the above quote, thinks that Friedman’s article is worth reading in full. I agree.
