We are developing the social individualist meta-context for the future. From the very serious to the extremely frivolous... lets see what is on the mind of the Samizdata people.
Samizdata, derived from Samizdat /n. - a system of clandestine publication of banned literature in the USSR [Russ.,= self-publishing house]
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This is a must-visit for fans of 007 and his literary creator. There are a few events this year to mark what would be Ian Fleming’s 100th birthday, 28 May, which also happens to be my own birthday, by weird coincidence. Sebastian Faulks is bringing out a new Bond novel on that day. Most of the attempts to carry on the character by other writers have not really worked, although Kingsley Amis had a good shot at it. I quite enjoy Faulks’ writings, so this might be good. Let’s face it, the movie-makers have already used up all the original Fleming story lines so they could use some decent new ones without too many corny one-liners or implausible villains.
The other day I pointed to an article by David Mamet, the US playwright who has become drawn to classical liberalism in his later life. As the Cato Institute blog points out, the great British playright Tom Stoppard has been, in his quiet way, thoroughly sound for years.
This quote is great:
“The whole notion that we’re all responsible for ourselves and we don’t actually have to have nannies busybodying all around us, that’s all going now. And I don’t even know in whose interest it’s supposed to be or who wishes it to be so. It seems to be like a lava flow, which nobody ordered up. Of course, one does know in whose interest it is. It’s in the interests of battalions of civil servants in jobs that never existed 10 years ago.”
Definitely an improvement on Harold Pinter.
Gary Gygax, super nerd, all around great guy and hero to a generation of bored collage kids, has died. I weep 2d6 of bitter tears.
I quite enjoy going to the Proms, the renowned series of concerts held in the Royal Albert Hall, west London during the late summer. As many readers know, the last night of the Proms ends with a rousing performance of some of the best-loved works of Edward Elgar, such as “Land of Hope and Glory”. A government minister has claimed that the event does not fit in with the bright, shiny vision of Britain that the Gramiscians of New Labour believe is the one to which we should all aspire.
I could not agree more. It is time to face the fact that Britain, or indeed just England, is no longer a land of hope or much glory. Far better that the symbols of modern Britain be such things as state ID cards, unfunny standup commedians like Ricky Gervais and lumps of dead animals at The Tate.
Ok, rant over.
Ladies and gentlemen, please put your hands together for Marion Cotillard, Oscar-winning actress and qualified electronic engineer:
Marion Cotillard, the Oscar-winning French actress, will not apologise over remarks she made describing the 9/11 attacks as a conspiracy and believes that the comments had been taken out of context and misunderstood…
Cotillard said that the towers were destroyed not as part of a terrorist plot, but because it would have been too expensive to rewire them. She also reheated an old conspiracy theory about the 1969 moon landing never having happened.
Of course, working in the entertainment industry does not disqualify Ms. Cottilard from having opinions, nor (heaven forbid) should she ever be restrained from expressing them. However, and equally, I am not disqualified from calling her an ignorant jackass. I hope she spends the rest of her career in French dinner-theatre emoting pointlessly before an audience of coughing, hawking, shouting, farting, senile old-age pensioners who are slupring down a mediocre bowl of bouillabaisse before shuffling home to die alone in a heatwave. How do you like them pommes, Ms. Cotillard?
A novel based on the Joss Whedon cult SF series, Firefly, which was one of the very best in recent years in my opinion, has been released and you can view it online, thanks to a Creative Commons platform, here.
If you have not seen the TV series, correct that ommission immediately. It beautifully blends western-style cowboy drama with its strong individualistic, screw-authority ethic with science fiction, nifty and authentically grimy spacecraft. There are plenty of dashing men and gorgeous women to please both sexes. And there are sword fights and lots of shooting. What’s not to like?
Oscar for best documentary feature goes to a film, ‘Taxi ride to the Dark Side’, about how evil Americans torture people to death in Afghanistan – no doubt at the command of the evil Darth W. Bush.
And Oscar for best documentary short goes to a film about lesbian pension rights.
Hollywood has become a parody of itself.
A friend of mine in San Francisco passed along this video of a marvelous arrangement performed by a classical Japanese orchestra.
It is well worth four and a half minutes of your time.
I never have seen any of the Rambo movies and who knows if I ever will? Probably not. The day is always full, and they’re not on any priority list of mine. Despite all this, the latest picture from Mr Stallone has given me one moment of pleasure. How so? Well, it’s being reported here and there that the movie, in which Rambo takes on Burma’s military junta, is making an impression with some of the junta’s opponents. And this has caused Marina Hyde a moment of irritation. ‘Oh, please!’ she exclaims. I don’t know why I should take satisfaction from it. After all, I have no interest in the quality of Marina Hyde’s day; in the normal way of things I’m happy for it to be altogether fine. But there you are: opponents of the Burmese regime don’t have the name of some smug little metropolitan liberal on their lips. They enjoy seeing the discomfiture of a tyranny at the hands of … Rambo. Dearie me, how gross.
– Norm Geras
There are lots of posters on the Tube and other places about this exhibition of Russian-owned art at London’s Royal Academy. Henry Matisse’s “The Dancers” is shown in the adverts; I am not a massive Matisse fan, but the sheer variety and quality of the work on show is tempting.
A problem I have, however, is that these works were stolen from their original buyers back in the Russian Revolution or in the 1920s (ironically, Stalin wanted to destroy some of this stuff because he considered it to be “decadent”). I am not really comfortable in looking at something that has been stolen from a private owner; I feel slightly the same way about taking tours around ancient buildings that are no longer owned by their original owners because they have been forced to sell up due to massive death duties, now transferred to such bodies as the National Trust. One might argue, of course, that aristocrats who own massive stately piles are not worth too much sympathy since their families may have come into these lands as a result of earlier hand-outs.
Oh well, I fear my curiosity will overcome my squeamishness. It pays to book early: this exhibition looks to be a sell-out. Thanks to regular Samizdata commenter Julian Taylor for suggesting that I write about this topic.
We’d all play like that… if we could.
– John Coltrane, no mean saxophone player, talking about arguably the greatest of them all, Stan Getz. His cool, silk-like style is the perfect cure for a stressful day at the office.
A long time ago, when I was a wee nip of a lad, my parents would keep me quiet by turning on the television and having me watch such classics as Sesame Street. Little did they know that what I was watching was not suitable for children! I know that now, because the early seasons of Sesame Street have come out on DVD and they have been given a parental advisory, no less.
The first few seasons have just been released and come with, of all things, a warning.
“These early Sesame Street episodes are intended for grownups and may not suit the needs of today’s preschool child,” the warning reads.
“Sesame was created in the ’60s, and it was a bit edgier, if you will,” said Sherrie Rollins Westin, executive vice president of Sesame Workshop.
What parent today would want their child to see kids running through a construction site or jumping on an old box spring? Scenes like the ones included on the new DVD would probably not make it into today’s program now.
“We wouldn’t have children on the set riding without a bicycle helmet,” Rollins Westin says.
And what’s that little girl doing with that man?
“In the very first episode, Gordon takes a little girl’s hand who he’s just met on the street, befriends her and takes her into his home to give her ice cream,” Rollins Westin said. “That’s something we wouldn’t do on the show today.”
And rightly so. You wouldn’t want your kids to turn out like us dreadful Generation X old fogeys, after all!
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Who Are We? The Samizdata people are a bunch of sinister and heavily armed globalist illuminati who seek to infect the entire world with the values of personal liberty and several property. Amongst our many crimes is a sense of humour and the intermittent use of British spelling.
We are also a varied group made up of social individualists, classical liberals, whigs, libertarians, extropians, futurists, ‘Porcupines’, Karl Popper fetishists, recovering neo-conservatives, crazed Ayn Rand worshipers, over-caffeinated Virginia Postrel devotees, witty Frédéric Bastiat wannabes, cypherpunks, minarchists, kritarchists and wild-eyed anarcho-capitalists from Britain, North America, Australia and Europe.
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