We are developing the social individualist meta-context for the future. From the very serious to the extremely frivolous... lets see what is on the mind of the Samizdata people.
Samizdata, derived from Samizdat /n. - a system of clandestine publication of banned literature in the USSR [Russ.,= self-publishing house]
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I am addicted to the Jack Reacher novels of Lee Child (I have read practically all of them). On Child’s website is a nifty collection of the cover art for his novels, taken from all around the world. Cover art is a much under-rated aspect of design, in my opinion.
A few weeks ago, I got my hands on an old Ian Fleming hardback – You Only Live Twice. It is a US first edition that I bought for £25, which I reckon is a serious result. It was printed in the early 60s, and its cover is deceptively simple. (Here is a collection of all the hardback covers of that novel.) The first edition Bond novels that were released first in the UK often go for a bloody fortune. The first edition of Casino Royale will cost tens of thousands. The cover art on those novels is great.
And SF cover art is often excellent. Here are some ones I like on this link.
Over at Counting Cats, NickM uses suitably salty language to say what he thinks of the actor Jeremy Irons for coming out with “there are too many humans on the planet” sort of comments.
I am not going to add to the post in question – I am pretty certain that we have trodden this ground fairly well already – but I wanted to ask the question as to why is it, that folk in the acting profession, or at least most of them, seem to hold such statist/Greenie views? Maybe it is an impression not based on a lot of hard statistics, but I’d guess that the acting trade is disproportionately full of folk who hold these kinds of opinions. Of course, there are actors who are a bit of a break from the trend – think Michael Caine, Clint Eastwood and the playwriter, Tom Stoppard, but they are often notable for being exceptions to the rule.
Maybe it is because, as actors, they view business, and people with cash, as somehow alien. Or maybe it is because, as actors, they often take on a generally adversarial view to the prevailing culture, and for many, being adversarial is still to be left-wing, to champion things such population control, government aid to Africa, or whatever.
Or maybe it goes right back to when they were at school. They probably were not on the same wavelength, emotionally or socially, with the kind of people who excelled at hard science, or who showed a flair for business and sport. Some may even have been quite badly bullied or put upon by the school “toughs” and took a sort of view that they’d take their revenge on society by the kind of plays/films they would get involved in, or the causes they would espouse.
Like I say, this is all very impressionistic. But the weakness for certain celebrities in the acting business for such causes deserves to have a sort of Phd thesis. I wonder if one has ever been written.
My old friend, Andrew Ian Dodge, now residing in the chilly US northeastern state of Maine, has a book out, And Glory, which is set in a near future where the EU superstate is in full power (not that far off, then, Ed). He mashes up a a bit of political speculation, SciFi and good rollocking drama to make an interesting read. (As if my reading list was not long enough, aaagrrrh).
I have been thinking about who else has written books where the EU is treated as a sort of malign feature of a novel. One that springs to mind is Andrew Roberts’ novel, written a few years ago, called The Aachen Memorandum. I am a fan of Roberts the historian, so this hopefully would be a good read. Sometimes the EU crops up in the science fiction books of Ken Macleod, as in Cosmonaut Keep. And I recall that Peter Hamilton made some glancing, and unflattering references, to the EU in this recent novel, which was quite enjoyable, albeit with a rather unpleasant central character.
Of course, writing any speculative novel about the European Union carries the risk that reality keeps overtaking the story line. I mean, I wonder if either the two Andrews mentioned here or Ken would have envisaged the idea of a German politician suggesting that Greece flog off some of its islands to pay down its debt?
And as an aside, Henry Porter, the British journalist and scourge of this government over its dreadful civil liberties record, also had a novel out recently that I can recommend for mixing a powerful message and a cracking good storyline.
If commenters can think of other novels where there is an EU angle, let me know.
Rob Fisher, another occasional commenter at our threads who has his own blog, has this to say about a new TV show about border security guards (yes, that’s right). On the basis of his comment, I think I will be watching the rest of Mad Men instead.
I bought a number of pirated DVD’s in Malaysia recently and they all include unskippable piracy messages at the start. …
– A commenter, who unsurprisingly preferred to remain anonymous, contributes to a discussion about how the crap at the beginning of legally purchased DVDs makes pirated DVDs, provided they are of sufficient quality, a happier watching experience. Not always, it would seem. I now copy all my DVDs from the television.
Over at the Adam Smith Institute blog is this nice item on a recent performance of s Tom Stoppard play, touching on the themes of oppression under the old Soviet Union. Apparently, as the ASI commenter notes, this makes some theatre reviewers a bit sniffy, since all this stuff about the USSR is so, well, dated, dahling. As the blog points out, it is not. The kind of issues that arose under the Soviet Empire are as relevant now as they were during the Cold War. Some of the names have changed a bit, that’s all.
Talking of dramatists, here is an old post of mine about David Mamet, who has had a bit of a Road to Damascus political conversion.
Read about it here. Victorious Afghan Hamid Hassan blogs about it here:
After the match, I had to go to do a post-match media conference and they all wanted to know how it felt to beat USA, but the opposition didn’t matter to me. I was just happy to win another cricket match.
I love getting the chance to play against different countries and this was the first time we had ever played USA in an international match. I could never have dreamed when I was young, that I would one day play them in a cricket game.
I am a big fan of American television and movies and my favourite film is Rocky – I vividly remember watching it when I was growing up – and one of my heroes is Sylvester Stallone.
I think that there is a similarity in the story of Rocky and the Afghanistan cricket team – we both started at the bottom and gradually made our way up the rankings. …
Gradually? I thought Rocky did it with one fight.
Seriously though, it’s fun to see a guy so gripped by the American ideal of the common man excelling, and as a result … defeating America.
The way Hamid Hassan writes about Rocky and Silvester Stallone and so on makes me also think of this piece, about how the imminent decline into relative insignificance of the USA is once again being oversold, in which Joshua Kurlantzick says:
Most important, the United States is a champion of an idea that has global appeal, and Asia is not.
Although my part of the blogosphere is very anti-Obama just now, what with Obama seemingly hell-bent on ruining the USA’s economy, the rise of Obama to being President of the USA must look like a very similar kind of story to Rocky, if you are someone like Hamid Hassan.
This is an amazing example of one those archetypal political processes, which happens when a regime that still commands the present nevertheless manages to lose all control of the future:
One of the most fascinating aspects of the current phase of the Iranian revolution is that many of those arrested knew it was coming, had the opportunity to hide, but chose to go to jail. They viewed their arrest as a badge of honor, and (not to make light of the horrors of Iranian jails) perhaps even a good career move. They expect the regime to fall, and they are building up credits for the next government.
Recently a posting of mine here about an SD card was honoured by a re-run in the comments of the Four Yorkshiremen sketch, where they take it in turns to boast with ever greater ferocity about the awfulness of their childhoods, or in this case about the vast expense and extreme non-capaciousness of their very first hard discs. You mean you had a hard disc? – We dreamed of having a hard disc, etc.
Soon, Iran will be entertained with similar jokery, in which Four Iranian Ex-Oppositionists indulge in similarly competitive boasting about their hellish sufferings under the previous regime, thereby justifying their subsequent social and political elevation.
Sadly, they may not need to exaggerate.
Pure genius.
By the way, here is an old post I did about a superb spoof on 1970s education programmes, which convey a similar sort of feel to some of those old Cold War public information items.
We should not forget, here in the UK, that dislike of the state-financed broadcasting network of the BBC has been going on for some time. Here is Kingsley Amis, the author and lecturer, writing in 1984:
“In television, as in other departments of national life, the consumer, the customer, the purchaser, is faced wiith a semi-benign semi-conspiracy to foist on him what is thought to be good for him, what other people consider he ought to have, instead of what he naturally prefers. In short, the public is brought education when it wants entertainment.”
The point, however, is that the focus on entertainment has arguably increased since the late Mr Amis wrote those words back in the era of Mrs Thatcher. As a consequence, the paternalistic intentions of the creators of the BBC have been frustrated to a remarkable degree. When Amis commented on the BBC, he at least was part of a country in which it was assumed that the BBC’s controllers felt that they had some sort of mission to educate and inform – not that this justified coercive funding even then. But the paternalism was at least fairly blatant. Now even that sense of mission appears to be more evident in the breach rather than the observance. The contradictions posed by the BBC’s funding model are unendurable.
The quote is taken from The Amis Collection, page 257, published in 1990. I am not sure if the book is still in print.
“The final irony, of course, is that this entrancing vision of prelapsarian innocence is the product of the most ruthless and sophisticated money-machine the world has ever seen. With a budget of $237 million and with takings already at £1 billion, this exquisite capitalist guilt trip represents one of the great triumphs of capitalism.”
– Boris Johnson, in fine form today, on the movie Avatar. I wonder if his mockery of Eden-worship among prosperous, middle and upper class Westerners is a veiled dig at David Cameron.
I am still trying to find a spare evening to see the new Sherlock Holmes movie. It may not be for purists, but it sounds terrific. I don’t think I will waste my cash on Mr Cameron’s (no relation to the Tory Party leader) latest flick.
Elvis would have been 75 today. I remember the day he died, and he was a megastar way before I was a twinkle in my mother’s eye. But I watched a couple of TV shows last night about him, featuring some of his performances, and even with the grainy old TV, some of that amazing charisma comes across.
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Who Are We? The Samizdata people are a bunch of sinister and heavily armed globalist illuminati who seek to infect the entire world with the values of personal liberty and several property. Amongst our many crimes is a sense of humour and the intermittent use of British spelling.
We are also a varied group made up of social individualists, classical liberals, whigs, libertarians, extropians, futurists, ‘Porcupines’, Karl Popper fetishists, recovering neo-conservatives, crazed Ayn Rand worshipers, over-caffeinated Virginia Postrel devotees, witty Frédéric Bastiat wannabes, cypherpunks, minarchists, kritarchists and wild-eyed anarcho-capitalists from Britain, North America, Australia and Europe.
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