As I often like to say and to write, if I don’t regularly quote me, who else will? And once upon a time, I wrote (on page 4, left hand column, of this), in a paragraph about the many different ways there are to be an effective libertarian, this:
Or perhaps you contribute crucially to the cause simply by (a) calling yourself a libertarian when asked what you are but not otherwise, and (b) being a nice person in all other respects. By merely proving that libertarianism and decency can cohere in the same personality, you will be a walking advertisement for the cause, as I might not be.
Now I don’t want to accuse Frank Turner of regarding himself as a member of any sort of political team, any sort of promoter of a “cause”. He is first and last a musician and an artist, not “a libertarian”. But the more I learn about this man (and thanks to Google sending me emails whenever anyone mentions him I have been learning quite a lot about him lately), the more he strikes me as the living embodiment of the above notions. It’s not that he is incapable of arguing his political corner. Merely that, on the whole, he prefers not to, and just to get on with his work and his life.
Consider this Frank Turner interview piece by Anna Burn, published today by Cherwell.
Near the beginning, Burn writes of the “clear tension” between Turner’s “old, anarchist politics and his new libertarianism”. And at the end of her piece, she writes this:
“People have historically been quite rude about rock and roll as serious art,” he says. “To me rock and roll is proper art, but it’s also disposable art, it’s adolescent art. What’s great about rock and roll is that it’s music about being young and pissed on a beach and getting your first kiss and then dancing until dawn. Sometimes people want to make rock and roll into this high art and I love it because it’s low art. It’s almost a sort of Liechtenstien thing. It’s pop art.” He grins wryly, seeming pleased with the pun. “All my influences are rock and roll.”
And with that last declaration, we’re done. As we’ve been talking he’s been putting his coat back on so that he can dash down to catch a train to London and film his tribute to Pete Seeger for Newsnight. For a man who’s on his longest break from touring in seven years, he’s still remarkably busy, and yet he can still spare a few minutes to chat to a student newspaper.
As he runs down the stairs, I realise that this is why he is a true folk singer – he’s open to everyone prepared to engage with his work, and he makes it worth their effort.
Note the Pete Seeger reference. This is not a man who allows a thing like politics to get between him and an admired fellow musician. See also Billy Bragg.