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Hooray for Channel 5

Patrick Crozier is happy to see the old lags of British terrestrial television being given a run for their money

UK Channel 5 has been dismissed by the elite as being a non-stop orgy of sex and violence. Such statements in themselves lay bare the warped priorities of our ‘leaders’ but there is one other problem: it isn’t true. Channel 5 is simply the most dynamic and innovative British terrestrial channel around.

It has the best reality TV programme: The Mole
It has the best two animations: The Powerpuff Girls and Tintin

And it has some of the best history documentaries around. My favourite has to be Hitler’s Henchmen. Not least because an inspired piece of scheduling led to biographies of Hermann Goering and Heinrich Himmler being interspersed with shows covering the life and works of John Prescott and Pete Waterman.

In fact, Channel 5’s documentaries seem to be giving BBC2 and Channel 4 something of a headache. For many years these stuck up elito-vision channels have been pumping out nothing but revisionist pap. You know, ‘Churchill was a drunken child molestor’, that sort of thing. But then Channel 5 started broadcasting things like “British Heroes of World War 2” (the title says it all). And then “Secrets of World War 2”. In the hands of the elite this would have been all about how Churchill contributed to the slaughter of Russians on the Eastern Front but from Channel 5 it a set of stories about the daring exploits of our ancestors.

I do not know if Channel 5’s documentaries are particularly popular. But the reaction (especially from Channel 4) has been revealing. To “Secrets of WW2” Channel 4 countered with “Battle Stations”. To “Heroes” they countered with “Commando”. And to a fine 3-parter on the Falklands they dusted off a 10-year old documentary of their own and put it out as a spoiler.

But the really interesting thing about this is the way the content has changed. Quite simply, Channel 4 has sobered up, smelt the coffee and dumped the revisionism. Commando was an hour long show but contained little more than half an hour’s actual information. Could it be that the missing half an hour was the revisionism they had to axe to get the ratings?

Patrick Crozier

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