I have never read or taken an interest in Harry Potter, I only bought one such book as a requested present for a young family member, for which I apologise. However, J K Rowling, Labour donor, renowned author and Cybernat 5-minute hate subject, has gone up in my estimation as she stood up for Donald Trump’s right to visit the UK, echoing the attitude of Voltaire.
‘I consider him offensive and bigoted. But he has my full support to come to my country and be offensive and bigoted there.’
The best-selling author said that Trump’s freedom to make ‘bigoted’ remarks, ‘protects my freedom to call him a bigot. His freedom guarantees mine.’
She warned that attempts to repeal any of those freedoms, however well intentioned, means ‘we have set foot upon a road with only one destination.’
We know what that destination is. She goes on.
Rowling explained that if she was to back a travel ban of Trump, because of his offensive comments, then she would have ‘no moral grounds on which to argue that those offended by feminism or the right for transgender rights or universal suffrage should not oppress campaigners for those causes.’
‘If you seek the removal of freedoms from an opponent simply on the grounds that they have offended you, you have crossed a line to stand along tyrants who imprison, torture and kill on exactly the same justification,’ she added.
Such a pity about the working, as my maths teachers used to say, but positive sentiments in favour of liberty and openness to debate are welcome and refreshing, albeit depressingly scarce in public debate.
The question as posed in the title of this entry was raised at The Federalist. What say you, Samizdata commentators?
The daft old beardy has been at it a day and a half now and the only person he’s managed to actually eject is the shadow Culture Secretary. No, wait, I’m wrong – news just coming in – Pat McFadden is also out!
Never mind. Some poor schmuck dim enough to once think a career in politics would be a good idea, sacked by a man who looks as if he would be happier if their roles were reversed. OK, Jeremy Corbyn will eventually finish reshuffling. It may happen while I am writing this post. I do hope it is soon. Much longer and he will be in danger of shuffling off this mortal coil himself. The results of the reshuffle will not rejuvenate either Mr Corbyn or the Labour party.
In one of the science fiction author Larry Niven‘s short stories it is mentioned that when teleportation booths were still very new, some naive people put the booths inside their houses. It didn’t take that many house clearances by teleporting burglars before people realised that might not be wise. I thought of that story when I first heard that Jeremy Corbyn was likely to be elected leader of the Labour party. Some have attributed his success to an imprudent decision by Ed Miliband to lower the cost of becoming a supporter of the Labour party to a paltry £3, which encouraged far-left entryists and not a few malicious Tories to vote for Corbyn. However that was only part of it – Corbyn also won among longstanding party members. The main factor in his victory was, as in Niven’s story, a technology whose consequences were not yet properly understood. That technology was social media. Facebook and Twitter were where the idea of joining the party as a supporter and voting for Corbyn, the outsider, the joke candidate, the perennial loser given a chance out of pity, went from snowball to avalanche. When the existing members saw the avalanche building they, too, were caught up in the excitement. Suddenly the quasi-revolutionary hopes of their younger days seemed possible once more.
I don’t think this conjunction of factors will ever happen again. Political parties the world over are quietly upping their membership fees, instituting probationary periods before a new member gets to vote on the leader, and deciding against open primaries. The example of the UK Labour Party has shown them the need for a wall between your house and the teleportation booth.
The Witcher 3, a much anticipated computer game from a Polish studio based on a series of Polish fantasy novels, is released next Tuesday. Reviews of it are already being published and I have been reading a lot about it, including one review on Polygon by Arthur Gies that spent a lot of words complaining about the lack of black people and the treatment of female characters in the game.
Another Polish developer, Adrian Chmielarz, whose studio made the acclaimed adventure game The Vanishing of Ethan Carter, has responded. On the complaint that there are only white people in the game:
the fact that a post-modernist remix of fantasy and the Polish folklore made by Slavs does not feature non-white characters, is a non-issue.
Note that I am not sure that adding “strangers from the strange lands” to the game would solve anything for the chronically offended. Based on everything I learned about them in the last year, and I learned a lot, if you put a person or a few from any non-white race, they would be called “token characters”.
The Polygon review goes on to complain about the women in the game:
the world CD Projekt has created is oppressively misogynist. In some ways, the game deals directly with this — characters acknowledge again and again that it’s hard to be a woman there, that it’s a place of violence and terror and that women must work harder to be recognized and respected.
Then it kills them, over and over.
I get that the setting of The Witcher 3 is meant to be a dark, dirty fantasy. But in a world that so explicitly goes out of its way to build a believable, distinctive take on the genre, the inclusion of so much violence explicitly directed against women feels like a clear, disconcerting choice. It’s not just present, it’s frequently a focus.
When they’re not being murdered, women in The Witcher 3 are comically sexualized. Nudity is everywhere…
As we can see, The Witcher 3 apparently simply mirrors the real world (as according to Feminist Frequency).
This is a group whom the reviewer admires, and who argue that “violence against women is a serious, global epidemic”.
I have to assume that Gies understands that when compared to the actual real world, the violence is exaggerated in The Witcher 3. That it’s basically an often grim, often cruel fantasy world.
But …why is such a world a problem? Is the reviewer confusing portrayal with endorsement? Should art be propaganda for a peaceful life? Should art avoid disturbing universes?
There is a lot more; this is just a flavour of the debate. It is good to see people like Chmielarz standing up to this kind of criticism, because for a while it looked as if everything was going the way of those who would be offended by everything.
Also encouraging is that, if you read the comments on a news story about this debate at Gamezone, it appears that nobody really cares. They just want to enjoy games.
Friday night is usually my movie night out here in the desert and there was nothing in particular I really wanted to see. After perusing the options, I settled for ‘Age of Adaline‘, the story of a woman of the 1920’s who through an accident and a process explained through a bunch of made up technological gobbledygook stopped ageing at twenty-nine.
Part of the movie was fairly good, a study in the fear of being different and the pain of watching those you love grow old while you remain the same and try to stay under the radar.
There were two things I found wrong with the movie, both of which are ignorable if you just want an unusual love story. Whomever came up with the narrated ‘scientific’ explanations should be taken out and shot. They were painfully idiotic. The script writers would have been better off if they’d just said she had a genetic mutation which did not kick in until her body was put under a life threatening stress she’d never before experienced.
And second of all… Hollywood cannot deal with the idea of people living long lives. They believe that healthy extended lives must by necessity lead to boredom and emotional problems. They nearly always fall back on a plot device that anyone who has it will yearn for a return to the Mayfly life or even immediate joyful death as in “Zardoz”. This movie is not as bad as some. It hints that the accidental process which gave her long life would be discovered in 2035, with the implication that perhaps it was then used.
What I find humorous is that very wealthy A list actors, producers and directors will be among the first in line to embrace the initially very costly technologies of life extension and anti-aging technologies, perhaps right behind the techies who are already inventing it for real in labs all over this planet. They will sing a wholly different tune when it is they who face age and death as fashion options.
Personally, I long for the day when we eliminate both of the presently unavoidable scourges of humanity: death and taxes!
Many thanks to Rand Simberg who has been covering this ongoing battle…
The Elites fight tooth and claw and with whatever lying, cheating, libel and threats they can get away with… and the more you shine the light on them while they do so, the more they self-destruct.
I suspect the Sad Puppies have been having the time of their life giving these people all the rope they need to make total idjts of themselves. So bring out a bag of popcorn, sit back and watch the battle.
I have been watching the ‘Sad Puppies’ campaign in the world of science fiction and fantasy writers for a while now, with mounting amusement. If you are unaware what it is, think of it as a backlash against the overt cultural Marxist ‘Social Justice Warrior’ clique who have been dominating the Hugo Awards for many years now.
Well this year it looks like some folks are aiming to blow up the SJW Death Star.
Several on the left have remarked the sudden slew of anti-authoritarian nominees has been due to an influx of GamerGate supporters. Yet as the number of votes has only increased slightly, it would appear the GamerGate people were already there, they just finally decided to stand up, form two ranks and figuratively shoulder their Martini-Henry rifles, whilst facing the podium occupied by the establishment.
Anyone who thinks the Culture War is unwinnable or not even being fought by our side is not paying attention.
Why? Because this is just too damn good…
Volkswagen / The Bark Side from Caviar London on Vimeo.
You are welcome.
Samsung’s latest model Smart TV is the real deal.
The warning relates to the product line’s voice recognition services, which lets users control their television with voice commands input through a microphone on the set’s remote control.
Get it now before the rush; the word is that this technology soon really will be a “must-have”. Because it isn’t just Samsung or the company that provides Samsung with voice-recognition software that you need to worry about. As the Boomtown Rats put it back in ’79:
And when the place comes ablaze with a thousand dropped names
I don’t know who to call.
But I got a friend over there in the government block
And he knows the situation and he’s taking stock,
I think I’ll call him up now
Imagine audio and video bugs get better and better. Maybe in the form of tiny physical cameras, maybe as viruses that will eventually succeed in penetrating any computer, phone or similar device, maybe as some kind of broadcast or field. There is parallel progress in the science of searching through audio-visual records. Eventually every house, every room, every human body is bugged – saturated with bugs. Of course most of the time no one is interested in you. But if ever you become interesting, they can watch you, not just now, but at any time going back years. What you were doing on any given day. Every time you sang along to your ipod, had sex, mentioned the word “government”. But “they” is not just the government; it is anyone.
Optimistic science fiction does not create a belief in technological progress. It reflects it. Stephenson and Thiel are making a big mistake when they propose a vision of the good future that dismisses the everyday pleasures of ordinary people – that, in short, leaves out consumers. This perspective is particularly odd coming from a fiction writer and a businessman whose professional work demonstrates a keen sense of what people will buy. People are justifiably wary of grandiose plans that impose major costs on those who won’t directly reap their benefits. They’re even more wary if they believe that the changes of the past have brought only hardship and destruction. If Stephenson wants to make people more optimistic about the future and more likely to undertake difficult technological challenges, he shouldn’t waste his time writing short stories about two-kilometer-high towers.
– Virginia Postrel.
The real conspiracy is hiding the fact that the US government has had FTL and time travel technology since the 1950s. The first sightings were USAF space-time machines being tested on backwards jaunts of about 5 to 10 years. Navigation was a problem in the early days.
Why keep it a secret? Would you want the Soviets to get that technology or face average Americans rushing off into the void to claim their own planets? Real smooth way to crash the economy and get a bunch of people lost in space and time.
But now that NASA has gone public with their starship program and the astronomers have started naming ‘earth like’ extrasolar planets it’s only a matter of time before they announce a FTL breakthrough. How do I know all this? I pulled it out of my ass and why would my ass lie to me?
– Commenter “AlfredHerring”, trumping this Guardian article claiming that the real UFO conspiracy consisted of the US government faking their existence.